Corrupted into Song

The Complete Poems of Alvin Feinman

Fiction & Literature, Poetry, American, Anthologies
Cover of the book Corrupted into Song by Alvin Feinman, Harold Bloom, Princeton University Press
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Author: Alvin Feinman, Harold Bloom ISBN: 9781400880485
Publisher: Princeton University Press Publication: July 5, 2016
Imprint: Princeton University Press Language: English
Author: Alvin Feinman, Harold Bloom
ISBN: 9781400880485
Publisher: Princeton University Press
Publication: July 5, 2016
Imprint: Princeton University Press
Language: English

According to Harold Bloom, "The best of Alvin Feinman's poetry is as good as anything by a twentieth-century American. His work achieves the greatness of the American sublime." Yet, in part because he published so sparsely, Feinman remained little-read and largely unknown when he died in 2008. This definitive edition of Feinman's complete work, which includes fifty-seven previously published poems and thirty-nine unpublished poems discovered among his manuscripts, introduces a new generation of readers to the lyrical intensity and philosophical ambition of this major American poet. Harold Bloom, a lifelong friend of Feinman, provides a preface in which he examines Feinman's work in the context of the strongest poets of his generation—John Ashbery, James Merrill, and A. R. Ammons—while the introduction by James Geary, who studied with Feinman at Bennington College, presents a biographical and critical sketch of this remarkable poet and teacher. Corrupted into Song restores Feinman's work to its rightful place alongside that of poets like Hart Crane and Wallace Stevens, with whom his poetry and poetics have so much in common.

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According to Harold Bloom, "The best of Alvin Feinman's poetry is as good as anything by a twentieth-century American. His work achieves the greatness of the American sublime." Yet, in part because he published so sparsely, Feinman remained little-read and largely unknown when he died in 2008. This definitive edition of Feinman's complete work, which includes fifty-seven previously published poems and thirty-nine unpublished poems discovered among his manuscripts, introduces a new generation of readers to the lyrical intensity and philosophical ambition of this major American poet. Harold Bloom, a lifelong friend of Feinman, provides a preface in which he examines Feinman's work in the context of the strongest poets of his generation—John Ashbery, James Merrill, and A. R. Ammons—while the introduction by James Geary, who studied with Feinman at Bennington College, presents a biographical and critical sketch of this remarkable poet and teacher. Corrupted into Song restores Feinman's work to its rightful place alongside that of poets like Hart Crane and Wallace Stevens, with whom his poetry and poetics have so much in common.

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