Cosmopolitan Culture and Consumerism in Chick Lit

Fiction & Literature, Literary Theory & Criticism, Feminist Criticism
Cover of the book Cosmopolitan Culture and Consumerism in Chick Lit by Caroline J. Smith, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Caroline J. Smith ISBN: 9781135910570
Publisher: Taylor and Francis Publication: December 12, 2007
Imprint: Routledge Language: English
Author: Caroline J. Smith
ISBN: 9781135910570
Publisher: Taylor and Francis
Publication: December 12, 2007
Imprint: Routledge
Language: English

Cosmopolitan Culture and Consumerism in Chick Lit focuses on the literary phenomenon popularly known as chick lit, and the way in which this genre interfaces with magazines, self-help books, romantic comedies, and domestic-advice publications. This recent trend in women’s popular fiction, which began in 1996 with the publication of British author Helen Fielding’s novel Bridget Jones’s Diary, uses first person narration to chronicle the romantic tribulations of its young, single, white, heterosexual, urban heroines. Critics of the genre have failed to fully appreciate chick lit’s complicated representations of women as both readers and consumers. In this study, Smith argues that chick lit questions the "consume and achieve promise" offered by advice manuals marketed toward women, subverting the consumer industry to which it is so closely linked and challenging cultural expectations of women as consumers, readers, and writers, and of popular fiction itself.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Cosmopolitan Culture and Consumerism in Chick Lit focuses on the literary phenomenon popularly known as chick lit, and the way in which this genre interfaces with magazines, self-help books, romantic comedies, and domestic-advice publications. This recent trend in women’s popular fiction, which began in 1996 with the publication of British author Helen Fielding’s novel Bridget Jones’s Diary, uses first person narration to chronicle the romantic tribulations of its young, single, white, heterosexual, urban heroines. Critics of the genre have failed to fully appreciate chick lit’s complicated representations of women as both readers and consumers. In this study, Smith argues that chick lit questions the "consume and achieve promise" offered by advice manuals marketed toward women, subverting the consumer industry to which it is so closely linked and challenging cultural expectations of women as consumers, readers, and writers, and of popular fiction itself.

More books from Taylor and Francis

Cover of the book Self-Driven Learning by Caroline J. Smith
Cover of the book Stress And Emotion by Caroline J. Smith
Cover of the book Hybrid Rule and State Formation by Caroline J. Smith
Cover of the book Environmental Transitions by Caroline J. Smith
Cover of the book Bibliography of Translation Studies: 2001 by Caroline J. Smith
Cover of the book Absolute Poverty and Global Justice by Caroline J. Smith
Cover of the book Environmental Politics by Caroline J. Smith
Cover of the book Transactional Analysis by Caroline J. Smith
Cover of the book True Tales of Organisational Life by Caroline J. Smith
Cover of the book The Sociology of Knowledge by Caroline J. Smith
Cover of the book Living Yoga by Caroline J. Smith
Cover of the book Money, Macroeconomics and Keynes by Caroline J. Smith
Cover of the book Studies in Crime by Caroline J. Smith
Cover of the book The Politics of Healing by Caroline J. Smith
Cover of the book Sticking Together by Caroline J. Smith
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy