Cosmos and Community in Early Medieval Art

Nonfiction, Art & Architecture, General Art, Criticism, History, Medieval, Art History
Cover of the book Cosmos and Community in Early Medieval Art by Benjamin Anderson, Yale University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Benjamin Anderson ISBN: 9780300228496
Publisher: Yale University Press Publication: February 28, 2017
Imprint: Yale University Press Language: English
Author: Benjamin Anderson
ISBN: 9780300228496
Publisher: Yale University Press
Publication: February 28, 2017
Imprint: Yale University Press
Language: English
In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states—the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states—the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.

More books from Yale University Press

Cover of the book Resisting Categories: Latin American and/or Latino? by Benjamin Anderson
Cover of the book Medieval Europe by Benjamin Anderson
Cover of the book Making Good Citizens by Benjamin Anderson
Cover of the book Rival Power by Benjamin Anderson
Cover of the book Friend of the Court by Benjamin Anderson
Cover of the book Divine Love by Benjamin Anderson
Cover of the book William Rufus by Benjamin Anderson
Cover of the book The Master and His Emissary: The Divided Brain and the Making of the Western World by Benjamin Anderson
Cover of the book Building Cross-Cultural Competence by Benjamin Anderson
Cover of the book War and the World by Benjamin Anderson
Cover of the book The Creative Artist's Legal Guide: Copyright, Trademark and Contracts in Film and Digital Media Production by Benjamin Anderson
Cover of the book The Victorian Frame of Mind, 1830-1870 by Benjamin Anderson
Cover of the book Andrew Lloyd Webber by Benjamin Anderson
Cover of the book Narrative of the Life of Frederick Douglass, an American Slave by Benjamin Anderson
Cover of the book Livingstone by Benjamin Anderson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy