Creating Sounds from Scratch

A Practical Guide to Music Synthesis for Producers and Composers

Nonfiction, Entertainment, Music, Instruments & Instruction, Composition, Theory & Criticism, Business & Technical, Recording & Reproduction
Cover of the book Creating Sounds from Scratch by Andrea Pejrolo, Scott B. Metcalfe, Oxford University Press
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Author: Andrea Pejrolo, Scott B. Metcalfe ISBN: 9780190628024
Publisher: Oxford University Press Publication: January 5, 2017
Imprint: Oxford University Press Language: English
Author: Andrea Pejrolo, Scott B. Metcalfe
ISBN: 9780190628024
Publisher: Oxford University Press
Publication: January 5, 2017
Imprint: Oxford University Press
Language: English

Creating Sounds from Scratch is a practical, in-depth resource on the most common forms of music synthesis. It includes historical context, an overview of concepts in sound and hearing, and practical training examples to help sound designers and electronic music producers effectively manipulate presets and create new sounds. The book covers the all of the main synthesis techniques including analog subtractive, FM, additive, physical modeling, wavetable, sample-based, and granular. While the book is grounded in theory, it relies on practical examples and contemporary production techniques show the reader how to utilize electronic sound design to maximize and improve his or her work. Creating Sounds from Scratch is ideal for all who work in sound creation, composition, editing, and contemporary commercial production.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Creating Sounds from Scratch is a practical, in-depth resource on the most common forms of music synthesis. It includes historical context, an overview of concepts in sound and hearing, and practical training examples to help sound designers and electronic music producers effectively manipulate presets and create new sounds. The book covers the all of the main synthesis techniques including analog subtractive, FM, additive, physical modeling, wavetable, sample-based, and granular. While the book is grounded in theory, it relies on practical examples and contemporary production techniques show the reader how to utilize electronic sound design to maximize and improve his or her work. Creating Sounds from Scratch is ideal for all who work in sound creation, composition, editing, and contemporary commercial production.

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