Criminal Law and the Modernist Novel

Experience on Trial

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Criminal Law and the Modernist Novel by Rex Ferguson, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Rex Ferguson ISBN: 9781107357389
Publisher: Cambridge University Press Publication: July 8, 2013
Imprint: Cambridge University Press Language: English
Author: Rex Ferguson
ISBN: 9781107357389
Publisher: Cambridge University Press
Publication: July 8, 2013
Imprint: Cambridge University Press
Language: English

The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as the basis of epistemological authority. But by the early twentieth century experience had, as Walter Benjamin put it, 'fallen in value'. The modernist novel and the criminal trial of the period began taking cues from a kind of nonexperience – one that nullifies identity, subverts repetition and supplants presence with absence. Rex Ferguson examines how such nonexperience colours the overlapping relationship between law and literary modernism. Chapters on E. M. Forster's A Passage to India, Ford Madox Ford's The Good Soldier and Marcel Proust's In Search of Lost Time detail the development of a uniquely modern subjectivity, offering new critical insight to scholars and students of twentieth-century literature, cultural studies, and the history of law and philosophy.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as the basis of epistemological authority. But by the early twentieth century experience had, as Walter Benjamin put it, 'fallen in value'. The modernist novel and the criminal trial of the period began taking cues from a kind of nonexperience – one that nullifies identity, subverts repetition and supplants presence with absence. Rex Ferguson examines how such nonexperience colours the overlapping relationship between law and literary modernism. Chapters on E. M. Forster's A Passage to India, Ford Madox Ford's The Good Soldier and Marcel Proust's In Search of Lost Time detail the development of a uniquely modern subjectivity, offering new critical insight to scholars and students of twentieth-century literature, cultural studies, and the history of law and philosophy.

More books from Cambridge University Press

Cover of the book Romanticism and the Emotions by Rex Ferguson
Cover of the book European Consensus and the Legitimacy of the European Court of Human Rights by Rex Ferguson
Cover of the book Civic Hope by Rex Ferguson
Cover of the book Elliptic Functions by Rex Ferguson
Cover of the book The International Law of Migrant Smuggling by Rex Ferguson
Cover of the book Command by Rex Ferguson
Cover of the book The Cambridge Companion to the Concerto by Rex Ferguson
Cover of the book Music and the Exotic from the Renaissance to Mozart by Rex Ferguson
Cover of the book Free Trade and its Enemies in France, 1814–1851 by Rex Ferguson
Cover of the book A Student's Introduction to English Grammar by Rex Ferguson
Cover of the book Who Speaks for the Poor? by Rex Ferguson
Cover of the book Classical Victorians by Rex Ferguson
Cover of the book The Sublime in Modern Philosophy by Rex Ferguson
Cover of the book Pottery in Archaeology by Rex Ferguson
Cover of the book Age Discrimination and Diversity by Rex Ferguson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy