Curatopia

Museums and the future of curatorship

Nonfiction, Social & Cultural Studies, Social Science, Archaeology, Anthropology, Art & Architecture, General Art
Cover of the book Curatopia by , Manchester University Press
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Author: ISBN: 9781526118219
Publisher: Manchester University Press Publication: January 1, 2019
Imprint: Manchester University Press Language: English
Author:
ISBN: 9781526118219
Publisher: Manchester University Press
Publication: January 1, 2019
Imprint: Manchester University Press
Language: English

What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

What is the future of curatorship? Is there a vision for an ideal model, a curatopia, whether in the form of a utopia or dystopia? Or is there a plurality of approaches, amounting to a curatorial heterotopia? This pioneering volume addresses these questions by considering the current state of curatorship. It reviews the different models and approaches operating in museums, galleries and cultural organisations around the world and discusses emerging concerns, challenges and opportunities. The collection explores the ways in which the mutual, asymmetrical relations underpinning global, scientific entanglements of the past can be transformed into more reciprocal, symmetrical forms of cross-cultural curatorship in the present, arguing that this is the most effective way for curatorial practice to remain meaningful. International in scope, the volume covers three regions: Europe, North America and the Pacific.

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