Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference, Social & Cultural Studies, Social Science, Gender Studies, Women&
Cover of the book Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads by Sarah F. Williams, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sarah F. Williams ISBN: 9781317154891
Publisher: Taylor and Francis Publication: March 9, 2016
Imprint: Routledge Language: English
Author: Sarah F. Williams
ISBN: 9781317154891
Publisher: Taylor and Francis
Publication: March 9, 2016
Imprint: Routledge
Language: English

Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.

More books from Taylor and Francis

Cover of the book The Complete Guide to Business Risk Management by Sarah F. Williams
Cover of the book Outsourcing and Insourcing in an International Context by Sarah F. Williams
Cover of the book Applied Geography by Sarah F. Williams
Cover of the book Protecting Biological Diversity by Sarah F. Williams
Cover of the book Managing Project Ending by Sarah F. Williams
Cover of the book Cultural Diversity by Sarah F. Williams
Cover of the book Speaking for the Enslaved by Sarah F. Williams
Cover of the book Reconceptualising Feedback in Higher Education by Sarah F. Williams
Cover of the book New American Destinies by Sarah F. Williams
Cover of the book CIM Coursebook Marketing for Stakeholders by Sarah F. Williams
Cover of the book The Year That Defined American Journalism by Sarah F. Williams
Cover of the book The State, Education and Equity in Post-Apartheid South Africa by Sarah F. Williams
Cover of the book Mathematics in Aristotle by Sarah F. Williams
Cover of the book Starting Treatment With Children and Adolescents by Sarah F. Williams
Cover of the book Space, Power and the Commons by Sarah F. Williams
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy