Dance and Drama in French Baroque Opera

A History

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Opera
Cover of the book Dance and Drama in French Baroque Opera by Rebecca Harris-Warrick, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Rebecca Harris-Warrick ISBN: 9781316776056
Publisher: Cambridge University Press Publication: October 27, 2016
Imprint: Cambridge University Press Language: English
Author: Rebecca Harris-Warrick
ISBN: 9781316776056
Publisher: Cambridge University Press
Publication: October 27, 2016
Imprint: Cambridge University Press
Language: English

Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act of every opera - is essential to understanding the work. The book considers the operas of Lully - his lighter works as well as his tragedies - and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Académie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act of every opera - is essential to understanding the work. The book considers the operas of Lully - his lighter works as well as his tragedies - and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Académie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.

More books from Cambridge University Press

Cover of the book Sappho by Rebecca Harris-Warrick
Cover of the book The Joy of Science by Rebecca Harris-Warrick
Cover of the book Structural Geology by Rebecca Harris-Warrick
Cover of the book The Cambridge Handbook of Applied Psychological Ethics by Rebecca Harris-Warrick
Cover of the book International Migration by Rebecca Harris-Warrick
Cover of the book The Universal Declaration of Human Rights by Rebecca Harris-Warrick
Cover of the book Rural Land Takings Law in Modern China by Rebecca Harris-Warrick
Cover of the book Emergency Airway Management by Rebecca Harris-Warrick
Cover of the book Introduction to Modern Climate Change by Rebecca Harris-Warrick
Cover of the book The Creation of Eve and Renaissance Naturalism by Rebecca Harris-Warrick
Cover of the book Preposition Placement in English by Rebecca Harris-Warrick
Cover of the book The Future of Phylogenetic Systematics by Rebecca Harris-Warrick
Cover of the book Storied Ground by Rebecca Harris-Warrick
Cover of the book The Relevant Market in International Economic Law by Rebecca Harris-Warrick
Cover of the book Thermal Physics by Rebecca Harris-Warrick
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy