Danse Macabre

Temporalities of Law in the Visual Arts

Nonfiction, Reference & Language, Law, Jurisprudence, Art & Architecture, General Art
Cover of the book Danse Macabre by Desmond Manderson, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Desmond Manderson ISBN: 9781108670456
Publisher: Cambridge University Press Publication: April 18, 2019
Imprint: Cambridge University Press Language: English
Author: Desmond Manderson
ISBN: 9781108670456
Publisher: Cambridge University Press
Publication: April 18, 2019
Imprint: Cambridge University Press
Language: English

The visual arts offer refreshing and novel resources through which to understand the representation, power, ideology and critique of law. This vibrantly interdisciplinary book brings the burgeoning field to a new maturity through extended close readings of major works by artists from Pieter Bruegel and Gustav Klimt to Gordon Bennett and Rafael Cauduro. At each point, the author puts these works of art into a complex dance with legal and social history, and with recent developments in legal and art theory. Manderson uses the idea of time and temporality as a focal point through which to explore how the work of art engages with and constitutes law and human lives. In the symmetries and asymmetries caused by the vibrating harmonic resonances of these triple forces - time, law, art - lies a way of not only understanding the world, but also transforming it.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The visual arts offer refreshing and novel resources through which to understand the representation, power, ideology and critique of law. This vibrantly interdisciplinary book brings the burgeoning field to a new maturity through extended close readings of major works by artists from Pieter Bruegel and Gustav Klimt to Gordon Bennett and Rafael Cauduro. At each point, the author puts these works of art into a complex dance with legal and social history, and with recent developments in legal and art theory. Manderson uses the idea of time and temporality as a focal point through which to explore how the work of art engages with and constitutes law and human lives. In the symmetries and asymmetries caused by the vibrating harmonic resonances of these triple forces - time, law, art - lies a way of not only understanding the world, but also transforming it.

More books from Cambridge University Press

Cover of the book Synergies in Minority Protection by Desmond Manderson
Cover of the book Quantum Field Theory by Desmond Manderson
Cover of the book The Invention of Race in the European Middle Ages by Desmond Manderson
Cover of the book The Economic Psychology of Tax Behaviour by Desmond Manderson
Cover of the book South and Southeast Asian Psycholinguistics by Desmond Manderson
Cover of the book The Cambridge Companion to English Literature, 1650–1740 by Desmond Manderson
Cover of the book Resilient Liberalism in Europe's Political Economy by Desmond Manderson
Cover of the book The Cambridge Companion to American Literature of the 1930s by Desmond Manderson
Cover of the book The Political Morality of Liberal Democracy by Desmond Manderson
Cover of the book Thermodynamics, Kinetics, and Microphysics of Clouds by Desmond Manderson
Cover of the book The International Ambitions of Mao and Nehru by Desmond Manderson
Cover of the book Making Borders in Modern East Asia by Desmond Manderson
Cover of the book The Cambridge Companion to the Literature of Paris by Desmond Manderson
Cover of the book The Israeli Supreme Court and the Human Rights Revolution by Desmond Manderson
Cover of the book Arvo Pärt's Resonant Texts by Desmond Manderson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy