De Dea Syria (The Syrian Goddess)

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book De Dea Syria (The Syrian Goddess) by Lucian of Samosata, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Lucian of Samosata ISBN: 9781465574640
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Lucian of Samosata
ISBN: 9781465574640
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
To the student of oriental religions the Dea Syria is brimful of interest. It describes the cult and worship of the goddess of Northern Syria, Atargatis, at her sacred city, Hierapolis, now Mumbij. The time when Lucian wrote would be the middle of the second century B.C. We do not see any reason to reject the traditional authorship of the treatise: on the contrary, the work seems to reveal the famous satirist at home, taking a natural interest in local memories and institutions, while making, doubtless, mental notes that were to prove of use in the works for which he is best known. Of the many writers who refer to the Dea Syria, no one dwells upon the fundamental character of the cult at Hierapolis, nor deals with the problem of its historical origins. It is this aspect of inquiry, therefore, with which we chiefly deal in the Introduction and the foot notes. Lucian's description, amplified by the later account of Macrobius, and further illustrated by the local coinage of Hierapolis, reveals the central cult as that of a divine pair. The male god, a form of Hadad, is symbolised by the bull, and is hence both "Lord of Heaven" and "Creator." The female deity is shown by her very name, "Atargatis," to be a form of Ishtar or Astarte. Being mated with the god, whom Lucian calls "Zeus," she is called by him "Hera": but she wears a mural crown, and is symbolised by the lion; and Lucian recognises in her traces of Kybele, Aphrodite, Artemis, and other aspects of the Mother Goddess. An examination of the materials which modern research has made available, shows this cult to be attributable historically to the Hittites, the earliest known masters of the soil. The argument is developed in our Introduction.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
To the student of oriental religions the Dea Syria is brimful of interest. It describes the cult and worship of the goddess of Northern Syria, Atargatis, at her sacred city, Hierapolis, now Mumbij. The time when Lucian wrote would be the middle of the second century B.C. We do not see any reason to reject the traditional authorship of the treatise: on the contrary, the work seems to reveal the famous satirist at home, taking a natural interest in local memories and institutions, while making, doubtless, mental notes that were to prove of use in the works for which he is best known. Of the many writers who refer to the Dea Syria, no one dwells upon the fundamental character of the cult at Hierapolis, nor deals with the problem of its historical origins. It is this aspect of inquiry, therefore, with which we chiefly deal in the Introduction and the foot notes. Lucian's description, amplified by the later account of Macrobius, and further illustrated by the local coinage of Hierapolis, reveals the central cult as that of a divine pair. The male god, a form of Hadad, is symbolised by the bull, and is hence both "Lord of Heaven" and "Creator." The female deity is shown by her very name, "Atargatis," to be a form of Ishtar or Astarte. Being mated with the god, whom Lucian calls "Zeus," she is called by him "Hera": but she wears a mural crown, and is symbolised by the lion; and Lucian recognises in her traces of Kybele, Aphrodite, Artemis, and other aspects of the Mother Goddess. An examination of the materials which modern research has made available, shows this cult to be attributable historically to the Hittites, the earliest known masters of the soil. The argument is developed in our Introduction.

More books from Library of Alexandria

Cover of the book The World's Greatest Books (Travel and Adventure) by Lucian of Samosata
Cover of the book Songs of the West: Folk Songs of Devon and Cornwall Collected from the Mouths of the People by Lucian of Samosata
Cover of the book The Black Swan at Home and Abroad, or, A Biographical Sketch of Miss Elizabeth Taylor Greenfield, the American Vocalist by Lucian of Samosata
Cover of the book Winterslow: Essays and Characters Written There by Lucian of Samosata
Cover of the book Our Little Cuban Cousin by Lucian of Samosata
Cover of the book The Spiritualists and the Detectives by Lucian of Samosata
Cover of the book Mare Nostrum by Lucian of Samosata
Cover of the book The Law of the North: A Story of Love and Battle in Rupert's Land by Lucian of Samosata
Cover of the book The Flower of The Flock (Complete) by Lucian of Samosata
Cover of the book Molly Brown's Orchard Home by Lucian of Samosata
Cover of the book Empires and Emperors of Russia, China, Korea, and Japan: Notes and Recollections by Monsignor Count Vay De Vaya and Luskod by Lucian of Samosata
Cover of the book The History of the Last Trial by Jury for Atheism in England a Fragment of Autobiography Submitted for the Perusal of Her Majesty's Attorney-General and the British Clergy by Lucian of Samosata
Cover of the book Julia And Her Romeo: A Chronicle of Castle Barfield by Lucian of Samosata
Cover of the book A Hundred and Sixty Books by Washington Authors: Some Other Writers Who Are Contributors to Periodical Literature, Lines Worth Knowing by Heart by Lucian of Samosata
Cover of the book Oregon and Eldorado, or, Romance of the Rivers by Lucian of Samosata
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy