Deeds That Won the Empire: Historic Battle Scenes

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Deeds That Won the Empire: Historic Battle Scenes by William Henry Fitchett, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: William Henry Fitchett ISBN: 9781465585257
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: William Henry Fitchett
ISBN: 9781465585257
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
The tales here told are written, not to glorify war, but to nourish patriotism. They represent an effort to renew in popular memory the great traditions of the Imperial race to which we belong. The history of the Empire of which we are subjects—the story of the struggles and sufferings by which it has been built up—is the best legacy which the past has bequeathed to us. But it is a treasure strangely neglected. The State makes primary education its anxious care, yet it does not make its own history a vital part of that education. There is real danger that for the average youth the great names of British story may become meaningless sounds, that his imagination will take no colour from the rich and deep tints of history. And what a pallid, cold-blooded citizenship this must produce! War belongs, no doubt, to an imperfect stage of society; it has a side of pure brutality. But it is not all brutal. Wordsworth's daring line about "God's most perfect instrument" has a great truth behind it. What examples are to be found in the tales here retold, not merely of heroic daring, but of even finer qualities—of heroic fortitude; of loyalty to duty stronger than the love of life; of the temper which dreads dishonour more than it fears death; of the patriotism which makes love of the Fatherland a passion. These are the elements of robust citizenship. They represent some, at least, of the qualities by which the Empire, in a sterner time than ours, was won, and by which, in even these ease-loving days, it must be maintained. These sketches appeared originally in the Melbourne Argus, and are republished by the kind consent of its proprietors. Each sketch is complete in itself; and though no formal quotation of authorities is given, yet all the available literature on each event described has been laid under contribution. The sketches will be found to be historically accurate.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
The tales here told are written, not to glorify war, but to nourish patriotism. They represent an effort to renew in popular memory the great traditions of the Imperial race to which we belong. The history of the Empire of which we are subjects—the story of the struggles and sufferings by which it has been built up—is the best legacy which the past has bequeathed to us. But it is a treasure strangely neglected. The State makes primary education its anxious care, yet it does not make its own history a vital part of that education. There is real danger that for the average youth the great names of British story may become meaningless sounds, that his imagination will take no colour from the rich and deep tints of history. And what a pallid, cold-blooded citizenship this must produce! War belongs, no doubt, to an imperfect stage of society; it has a side of pure brutality. But it is not all brutal. Wordsworth's daring line about "God's most perfect instrument" has a great truth behind it. What examples are to be found in the tales here retold, not merely of heroic daring, but of even finer qualities—of heroic fortitude; of loyalty to duty stronger than the love of life; of the temper which dreads dishonour more than it fears death; of the patriotism which makes love of the Fatherland a passion. These are the elements of robust citizenship. They represent some, at least, of the qualities by which the Empire, in a sterner time than ours, was won, and by which, in even these ease-loving days, it must be maintained. These sketches appeared originally in the Melbourne Argus, and are republished by the kind consent of its proprietors. Each sketch is complete in itself; and though no formal quotation of authorities is given, yet all the available literature on each event described has been laid under contribution. The sketches will be found to be historically accurate.

More books from Library of Alexandria

Cover of the book The brotherhood of Consolation by William Henry Fitchett
Cover of the book Miranda of The Balcony: A Story by William Henry Fitchett
Cover of the book The Grandeur That Was Rome by William Henry Fitchett
Cover of the book At the Sign of the Sword: A Story of Love and War in Belgium by William Henry Fitchett
Cover of the book Wisdom of the Ages by William Henry Fitchett
Cover of the book The Discards by William Henry Fitchett
Cover of the book Relação Do Formidavel, E Lastimoso Terremoto Succedido No Reino De Valença No Dia 23 De Março Deste Presente Anno De 1748 Pelas 6. Horas, E Tres Quartos Da Manhã by William Henry Fitchett
Cover of the book Dodo: A Detail of the Day (Complete) by William Henry Fitchett
Cover of the book The Forfeit by William Henry Fitchett
Cover of the book The Story of Pocahontas and Captain John Smith by William Henry Fitchett
Cover of the book Tripping With the Tucker Twins by William Henry Fitchett
Cover of the book Mémoires De Joseph Fouché, Duc D'Otrante, Ministre De La Police Générale (Complete) by William Henry Fitchett
Cover of the book The Descent of Man and Selection in Relation to Sex (Complete) by William Henry Fitchett
Cover of the book The Harlot's Progress, the Rake's Progress (MS., CA. 1778-1780) by William Henry Fitchett
Cover of the book Chinese Literature by William Henry Fitchett
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy