Developing of Cultural Identity and Perception of Foreign Cultures

Nonfiction, Reference & Language, Language Arts, Communication
Cover of the book Developing of Cultural Identity and Perception of Foreign Cultures by Martin Strang, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Martin Strang ISBN: 9783638341165
Publisher: GRIN Publishing Publication: January 20, 2005
Imprint: GRIN Publishing Language: English
Author: Martin Strang
ISBN: 9783638341165
Publisher: GRIN Publishing
Publication: January 20, 2005
Imprint: GRIN Publishing
Language: English

Essay from the year 2004 in the subject Communications - Intercultural Communication, grade: High Distinction, Macquarie University (Centre for International Communication), course: Cross Cultural Communication, 9 entries in the bibliography, language: English, abstract: In this critical analysis the question of how people develop their cultural identity and perceive foreign cultures will be answered. This is done through an analysis of the following points: First, different definitions (or attempted definitions) of culture are critically regarded. Then the role of identity in cross-cultural communication is examined, with focus on the creation of cultural identities just as different communication styles related to specific identities. In the third part of this paper the roles of stereotypes in cross-cultural communications are discussed with reference to their functions in society. Finally, the topic of nonverbal communication, especially attempts to describe nonverbal communication of a specific culture, is examined. In the conclusion the results of this paper are discussed and summarised. The essay refers to the movie 'The Quiet American'- in footnotes - to illustrate theoretical aspects with appropriate examples. Culture is a complex and constantly changing phenomenon, so definitions of culture are quite numerous and differing. Brislin (2000, p. 23) refers to the definition of Triandis, Kurowski, Tecktiel & Chan (1993, p. 219), who see culture constructed out of objective and subjective elements. These elements have been selected because in the past they made survival more probable and allowed the participants to exist in ecological niches; they are shared by people who communicate in the same language and live in the same time-place. Even though this definition is obviously general, it cannot be seen as one accepted by all researchers in cross-cultural communication. Brislin (2000, p. 30) tries to define culture by constructing a checklist consisting of twelve points in order to prove if a specific behaviour or ideal is part of one's culture or not. This checklist can be seen as a practical tool for people dealing with cross-cultural settings, but it is hardly a theoretical definition. Raymond Williams (1962, cited in Lull, 1995, p. 130) defines culture as 'a particular way of life', which is shared by a community. The definition of Williams emphasises the dynamic character of culture which changes when we (as members of our own culture) change the way we talk, dress or work. At the same time Williams' definition makes no distinction between 'superior' or 'inferior' cultures, furthermore everybody has their specific 'way of life'.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Essay from the year 2004 in the subject Communications - Intercultural Communication, grade: High Distinction, Macquarie University (Centre for International Communication), course: Cross Cultural Communication, 9 entries in the bibliography, language: English, abstract: In this critical analysis the question of how people develop their cultural identity and perceive foreign cultures will be answered. This is done through an analysis of the following points: First, different definitions (or attempted definitions) of culture are critically regarded. Then the role of identity in cross-cultural communication is examined, with focus on the creation of cultural identities just as different communication styles related to specific identities. In the third part of this paper the roles of stereotypes in cross-cultural communications are discussed with reference to their functions in society. Finally, the topic of nonverbal communication, especially attempts to describe nonverbal communication of a specific culture, is examined. In the conclusion the results of this paper are discussed and summarised. The essay refers to the movie 'The Quiet American'- in footnotes - to illustrate theoretical aspects with appropriate examples. Culture is a complex and constantly changing phenomenon, so definitions of culture are quite numerous and differing. Brislin (2000, p. 23) refers to the definition of Triandis, Kurowski, Tecktiel & Chan (1993, p. 219), who see culture constructed out of objective and subjective elements. These elements have been selected because in the past they made survival more probable and allowed the participants to exist in ecological niches; they are shared by people who communicate in the same language and live in the same time-place. Even though this definition is obviously general, it cannot be seen as one accepted by all researchers in cross-cultural communication. Brislin (2000, p. 30) tries to define culture by constructing a checklist consisting of twelve points in order to prove if a specific behaviour or ideal is part of one's culture or not. This checklist can be seen as a practical tool for people dealing with cross-cultural settings, but it is hardly a theoretical definition. Raymond Williams (1962, cited in Lull, 1995, p. 130) defines culture as 'a particular way of life', which is shared by a community. The definition of Williams emphasises the dynamic character of culture which changes when we (as members of our own culture) change the way we talk, dress or work. At the same time Williams' definition makes no distinction between 'superior' or 'inferior' cultures, furthermore everybody has their specific 'way of life'.

More books from GRIN Publishing

Cover of the book Die Darstellung von race und gender in der TV-Serie 'Angel' by Martin Strang
Cover of the book Intelligence reform and counterterrorism effectiveness by Martin Strang
Cover of the book Robert Koch - Der Einfluss der Arbeiten und die Auswirkung von Robert Koch auf die Entwicklung von Wissenschaft und Industrie by Martin Strang
Cover of the book Mad Max - An Australian Cult Classic by Martin Strang
Cover of the book Document Analysis of 'A History of Medieval Islam' by J.J. Saunders by Martin Strang
Cover of the book Positioning and negation of identities in a bilingual intimate communication by Martin Strang
Cover of the book Comparison of the CAPM, the Fama-French Three Factor Model and Modifications by Martin Strang
Cover of the book A Comparative Analysis of the Total Cost of Ownership Approach in Sourcing Decisions by Martin Strang
Cover of the book Post-Communist Transition - Theory in political transition by Martin Strang
Cover of the book Information Communication Technologies by Martin Strang
Cover of the book Advertising in Poland and Germany - A Comparison by Martin Strang
Cover of the book The presentation of a hybrid identity in Fred Wah´s 'Diamond Grill': Food and habitation as ethnic markers and Chinese Canadians by Martin Strang
Cover of the book The agricultural sector in Spain and Poland during the pre-accession period by Martin Strang
Cover of the book Failed Relationships in Hemingway`s The Sun Also Rises: Defending the New Woman by Martin Strang
Cover of the book Creative Poetry Writing in the EFL Classroom by Martin Strang
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy