Dissonant Archives

Contemporary Visual Culture and Contested Narratives in the Middle East

Nonfiction, Art & Architecture, General Art, Art History, Social & Cultural Studies, Political Science, History
Cover of the book Dissonant Archives by , Bloomsbury Publishing
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Author: ISBN: 9780857739735
Publisher: Bloomsbury Publishing Publication: July 16, 2015
Imprint: I.B. Tauris Language: English
Author:
ISBN: 9780857739735
Publisher: Bloomsbury Publishing
Publication: July 16, 2015
Imprint: I.B. Tauris
Language: English

The 'archive' is often viewed as a collection of historical documents that records and orders information about people, places and events. This view nevertheless obscures a crucial point: the archive, whilst subject to the vagaries of time and history, can also determine the future. This point has gained urgency in modern-day North Africa and the Middle East where the archive has come to the fore as a site of social, historical, theoretical, and political contestation.

Dissonant Archives is the first book to consider the ways in which contemporary artists from the Middle East and North Africa – including Emily Jacir, Walid Raad, Jananne Al Ani, Basel Abbas and Ruanne Abou-Rahme, Mariam Ghani, Zineb Sedira, and Akram Zaatari – are utilizing and disrupting the function of the archive and, in so doing, highlighting a systemic, perhaps irrevocable, crisis in institutional and state-ordained archiving across the region. In exploring and producing archives, be they alternative, interrogative or fictional, these artists are not simply questioning the authenticity, authority or authorship of the archive; rather, they are unlocking its regenerative, radical potential. The result provides essential insights into the nexus between art and politics in the contemporary Middle East.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The 'archive' is often viewed as a collection of historical documents that records and orders information about people, places and events. This view nevertheless obscures a crucial point: the archive, whilst subject to the vagaries of time and history, can also determine the future. This point has gained urgency in modern-day North Africa and the Middle East where the archive has come to the fore as a site of social, historical, theoretical, and political contestation.

Dissonant Archives is the first book to consider the ways in which contemporary artists from the Middle East and North Africa – including Emily Jacir, Walid Raad, Jananne Al Ani, Basel Abbas and Ruanne Abou-Rahme, Mariam Ghani, Zineb Sedira, and Akram Zaatari – are utilizing and disrupting the function of the archive and, in so doing, highlighting a systemic, perhaps irrevocable, crisis in institutional and state-ordained archiving across the region. In exploring and producing archives, be they alternative, interrogative or fictional, these artists are not simply questioning the authenticity, authority or authorship of the archive; rather, they are unlocking its regenerative, radical potential. The result provides essential insights into the nexus between art and politics in the contemporary Middle East.

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