Dostoevsky by Zweig

Biography & Memoir, Artists, Architects & Photographers, Nonfiction, Art & Architecture, Literary
Cover of the book Dostoevsky by Zweig by Stefan Zweig, Plunkett Lake Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stefan Zweig ISBN: 1230000036993
Publisher: Plunkett Lake Press Publication: December 6, 2012
Imprint: Language: English
Author: Stefan Zweig
ISBN: 1230000036993
Publisher: Plunkett Lake Press
Publication: December 6, 2012
Imprint:
Language: English

Dostoevsky by Zweig by Stefan Zweig (translated from the German by Eden and Cedar Paul; 43,000 words)

This is the third essay of Stefan Zweig’s Three Masters: Balzac, Dickens, Dostoevsky, written in the early 20th century. Part biography, part literary criticism, part cultural history, the essay offers a window onto how a Central European regarded the Russian master, who died in 1881, the year Zweig was born.

Dostoevsky’s genius, in Zweig’s view, owed a debt to his illness, as Tolstoy’s did to his radiant health. Illness “enabled Dostoevsky to soar upward into a sphere of such concentrated feeling as is rarely experienced by normal men; it permitted him to penetrate into the underworld of the emotions, into the submerged regions of the psyche.”

This essay is one of the best examples of Zweig’s psychologically-informed literary criticism.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Dostoevsky by Zweig by Stefan Zweig (translated from the German by Eden and Cedar Paul; 43,000 words)

This is the third essay of Stefan Zweig’s Three Masters: Balzac, Dickens, Dostoevsky, written in the early 20th century. Part biography, part literary criticism, part cultural history, the essay offers a window onto how a Central European regarded the Russian master, who died in 1881, the year Zweig was born.

Dostoevsky’s genius, in Zweig’s view, owed a debt to his illness, as Tolstoy’s did to his radiant health. Illness “enabled Dostoevsky to soar upward into a sphere of such concentrated feeling as is rarely experienced by normal men; it permitted him to penetrate into the underworld of the emotions, into the submerged regions of the psyche.”

This essay is one of the best examples of Zweig’s psychologically-informed literary criticism.

More books from Plunkett Lake Press

Cover of the book Looking Back: Memoir of a Psychoanalyst by Stefan Zweig
Cover of the book Cause at Heart: A Former Communist Remembers by Stefan Zweig
Cover of the book Camille Claudel: A Life by Stefan Zweig
Cover of the book Jerusalem: City of Mirrors by Stefan Zweig
Cover of the book Tina Packer Builds A Theater by Stefan Zweig
Cover of the book The Life and Work of Sigmund Freud by Stefan Zweig
Cover of the book From the Fair by Stefan Zweig
Cover of the book Joe Papp: An American Life by Stefan Zweig
Cover of the book Redirecting Science: Niels Bohr, Philanthropy, and the Rise of Nuclear Physics by Stefan Zweig
Cover of the book Failure of a Revolution: Germany 1918-1919 by Stefan Zweig
Cover of the book Alvarez: Adventures of a Physicist by Stefan Zweig
Cover of the book Trees: For Shelter and Shade, For Memory and Magic by Stefan Zweig
Cover of the book The Israelis: Founders and Sons by Stefan Zweig
Cover of the book The Wild Place by Stefan Zweig
Cover of the book What Little I Remember by Stefan Zweig
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy