Doubting the Divine in Early Modern Europe

The Revival of Momus, the Agnostic God

Nonfiction, Social & Cultural Studies, Political Science, Politics, History & Theory, Fiction & Literature, Literary Theory & Criticism, History
Cover of the book Doubting the Divine in Early Modern Europe by George McClure, Cambridge University Press
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Author: George McClure ISBN: 9781108569330
Publisher: Cambridge University Press Publication: June 30, 2018
Imprint: Cambridge University Press Language: English
Author: George McClure
ISBN: 9781108569330
Publisher: Cambridge University Press
Publication: June 30, 2018
Imprint: Cambridge University Press
Language: English

In this book, George McClure examines the intellectual tradition of challenges to religious and literary authority in the early modern era. He explores the hidden history of unbelief through the lens of Momus, the Greek god of criticism and mockery. Surveying his revival in Italy, France, Spain, Germany, the Netherlands, and England, McClure shows how Momus became a code for religious doubt in an age when such writings remained dangerous for authors. Momus ('Blame') emerged as a persistent and subversive critic of divine governance and, at times, divinity itself. As an emblem or as an epithet for agnosticism or atheism, he was invoked by writers such as Leon Battista Alberti, Anton Francesco Doni, Giordano Bruno, Luther, and possibly, in veiled form, by Milton in his depiction of Lucifer. The critic of gods also acted, in sometimes related fashion, as a critic of texts, leading the army of Moderns in Swift's Battle of the Books, and offering a heretical archetype for the literary critic.

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In this book, George McClure examines the intellectual tradition of challenges to religious and literary authority in the early modern era. He explores the hidden history of unbelief through the lens of Momus, the Greek god of criticism and mockery. Surveying his revival in Italy, France, Spain, Germany, the Netherlands, and England, McClure shows how Momus became a code for religious doubt in an age when such writings remained dangerous for authors. Momus ('Blame') emerged as a persistent and subversive critic of divine governance and, at times, divinity itself. As an emblem or as an epithet for agnosticism or atheism, he was invoked by writers such as Leon Battista Alberti, Anton Francesco Doni, Giordano Bruno, Luther, and possibly, in veiled form, by Milton in his depiction of Lucifer. The critic of gods also acted, in sometimes related fashion, as a critic of texts, leading the army of Moderns in Swift's Battle of the Books, and offering a heretical archetype for the literary critic.

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