Early British Animation

From Page and Stage to Cinema Screens

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Early British Animation by Malcolm Cook, Springer International Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Malcolm Cook ISBN: 9783319734293
Publisher: Springer International Publishing Publication: May 4, 2018
Imprint: Palgrave Macmillan Language: English
Author: Malcolm Cook
ISBN: 9783319734293
Publisher: Springer International Publishing
Publication: May 4, 2018
Imprint: Palgrave Macmillan
Language: English

This book is the first history of British animated cartoons, from the earliest period of cinema in the 1890s up to the late 1920s. In this period cartoonists and performers from earlier traditions of print and stage entertainment came to film to expand their artistic practice, bringing with them a range of techniques and ideas that shaped the development of British animation. These were commercial rather than avant-garde artists, but they nevertheless saw the new medium of cinema as offering the potential to engage with modern concerns of the early 20th century, be it the political and human turmoil of the First World War or new freedoms of the 1920s. Cook’s examination and reassessment of these films and their histories reveals their close attention and play with the way audiences saw the world. As such, this book offers new insight into the changing understanding of vision at that time as Britain’s place in the world was reshaped in the early 20th century.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book is the first history of British animated cartoons, from the earliest period of cinema in the 1890s up to the late 1920s. In this period cartoonists and performers from earlier traditions of print and stage entertainment came to film to expand their artistic practice, bringing with them a range of techniques and ideas that shaped the development of British animation. These were commercial rather than avant-garde artists, but they nevertheless saw the new medium of cinema as offering the potential to engage with modern concerns of the early 20th century, be it the political and human turmoil of the First World War or new freedoms of the 1920s. Cook’s examination and reassessment of these films and their histories reveals their close attention and play with the way audiences saw the world. As such, this book offers new insight into the changing understanding of vision at that time as Britain’s place in the world was reshaped in the early 20th century.

More books from Springer International Publishing

Cover of the book Applied Non-Linear Dynamical Systems by Malcolm Cook
Cover of the book Cloud Computing by Malcolm Cook
Cover of the book Future Viability, Business Models, and Values by Malcolm Cook
Cover of the book Wood Characteristics by Malcolm Cook
Cover of the book Space Mining and Its Regulation by Malcolm Cook
Cover of the book Process Analytics by Malcolm Cook
Cover of the book Statistics of Financial Markets by Malcolm Cook
Cover of the book Many-Electron Approaches in Physics, Chemistry and Mathematics by Malcolm Cook
Cover of the book Women and ‘Value’ in Jane Austen’s Novels by Malcolm Cook
Cover of the book Inclusion, Disability and Culture by Malcolm Cook
Cover of the book Human-Computer Interaction. Interaction Technologies by Malcolm Cook
Cover of the book Models for Practical Routing Problems in Logistics by Malcolm Cook
Cover of the book Medicine, Knowledge and Venereal Diseases in England, 1886-1916 by Malcolm Cook
Cover of the book Lessons from the Local Group by Malcolm Cook
Cover of the book Optical Character Recognition Systems for Different Languages with Soft Computing by Malcolm Cook
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy