Editing Music in Early Modern Germany

Nonfiction, Entertainment, Music
Cover of the book Editing Music in Early Modern Germany by SusanLewis Hammond, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: SusanLewis Hammond ISBN: 9781351568838
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: SusanLewis Hammond
ISBN: 9781351568838
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.

More books from Taylor and Francis

Cover of the book Shakespeare as Collaborator by SusanLewis Hammond
Cover of the book Humanism and Calvinism by SusanLewis Hammond
Cover of the book Markets and Myths by SusanLewis Hammond
Cover of the book Rethinking EU Consumer Law by SusanLewis Hammond
Cover of the book Gentle Art Of Cookery by SusanLewis Hammond
Cover of the book Nursing & Health Survival Guide: Infection Control by SusanLewis Hammond
Cover of the book Routledge Revivals: Patriotism: The Making and Unmaking of British National Identity (1989) by SusanLewis Hammond
Cover of the book Innocence, Heterosexuality, and the Queerness of Children's Literature by SusanLewis Hammond
Cover of the book Lobbying the New President by SusanLewis Hammond
Cover of the book Routledge Revivals: Chinese Art (1935) by SusanLewis Hammond
Cover of the book Don't You Know There's a War On? by SusanLewis Hammond
Cover of the book Walter Benjamin, Religion and Aesthetics by SusanLewis Hammond
Cover of the book Science and Ethics by SusanLewis Hammond
Cover of the book Women's Wealth and Women's Writing in Early Modern England by SusanLewis Hammond
Cover of the book Applied Economics by SusanLewis Hammond
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy