Editing Music in Early Modern Germany

Nonfiction, Entertainment, Music
Cover of the book Editing Music in Early Modern Germany by SusanLewis Hammond, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: SusanLewis Hammond ISBN: 9781351568838
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: SusanLewis Hammond
ISBN: 9781351568838
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.

More books from Taylor and Francis

Cover of the book Global Perspectives on Teaching Excellence by SusanLewis Hammond
Cover of the book AIDS in Europe by SusanLewis Hammond
Cover of the book The Carolingian Renaissance and the Idea of Kingship (Routledge Revivals) by SusanLewis Hammond
Cover of the book The Debt Age by SusanLewis Hammond
Cover of the book The Balkans Since the Second World War by SusanLewis Hammond
Cover of the book Levinas and Education by SusanLewis Hammond
Cover of the book Almanacs by SusanLewis Hammond
Cover of the book The Gift Economy by SusanLewis Hammond
Cover of the book Classical and Contemporary Social Theory by SusanLewis Hammond
Cover of the book The Routledge Companion to Transnational American Studies by SusanLewis Hammond
Cover of the book Unpathed Waters by SusanLewis Hammond
Cover of the book Air Power in the Age of Total War by SusanLewis Hammond
Cover of the book Mission, Money, and Authority, Part One by SusanLewis Hammond
Cover of the book The Map of Africa by Treaty by SusanLewis Hammond
Cover of the book Global Economic Crisis and Local Economic Development by SusanLewis Hammond
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy