Elan Vital Orient Poetry

A Chapbook of Oriental Poetry and Sumi-e Painting

Nonfiction, Art & Architecture, Art History, Asian, General Art, Fiction & Literature, Poetry
Cover of the book Elan Vital Orient Poetry by Charles B. Rodning, Charles Bernard, Tuttle Publishing
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Author: Charles B. Rodning, Charles Bernard ISBN: 9781462917792
Publisher: Tuttle Publishing Publication: December 15, 1989
Imprint: Tuttle Publishing Language: English
Author: Charles B. Rodning, Charles Bernard
ISBN: 9781462917792
Publisher: Tuttle Publishing
Publication: December 15, 1989
Imprint: Tuttle Publishing
Language: English

This book of classic Asian poetry and ink brush paintings is an important piece of cultural history and a wonderful addition to any collection of Asian art and poetry.

With the creation of the Asian poetry and sumi-e paintings within this volume, the artist and author have attempted to convey their interpretation of the variety, beauty, and novelty of nature and human endeavor.

They would argue that the power of their work lies not only in what is explicitly conveyed, but what is implicit as a consequence of interpretation and extrapolation by the viewer. The latter must be receptive and interactive to achieve enlightenment and self-actualization.

It is their hope that through this work, the viewer also would become one with nature, as exemplified by the Japanese term kensho ("contemplation," or to "turn a Zen light on things"), as part of the process of their personal development toward complete insight and enlightenment. They wish for the viewer enrichment and ennoblement.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book of classic Asian poetry and ink brush paintings is an important piece of cultural history and a wonderful addition to any collection of Asian art and poetry.

With the creation of the Asian poetry and sumi-e paintings within this volume, the artist and author have attempted to convey their interpretation of the variety, beauty, and novelty of nature and human endeavor.

They would argue that the power of their work lies not only in what is explicitly conveyed, but what is implicit as a consequence of interpretation and extrapolation by the viewer. The latter must be receptive and interactive to achieve enlightenment and self-actualization.

It is their hope that through this work, the viewer also would become one with nature, as exemplified by the Japanese term kensho ("contemplation," or to "turn a Zen light on things"), as part of the process of their personal development toward complete insight and enlightenment. They wish for the viewer enrichment and ennoblement.

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