Embodied Visions

Evolution, Emotion, Culture, and Film

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Embodied Visions by Torben Grodal, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Torben Grodal ISBN: 9780190451646
Publisher: Oxford University Press Publication: March 17, 2009
Imprint: Oxford University Press Language: English
Author: Torben Grodal
ISBN: 9780190451646
Publisher: Oxford University Press
Publication: March 17, 2009
Imprint: Oxford University Press
Language: English

Embodied Visions presents a groundbreaking analysis of film through the lens of bioculturalism, revealing how human biology as well as human culture determine how films are made and experienced. Throughout his study, Torben Grodal uses the breakthroughs of modern brain science to explain central features of film aesthetics and to construct a general model of aesthetic experience-what he terms the PECMA flow model-that demonstrates the movement of information and emotions in the brain when viewing film. Examining a wide array of genres-animation, romance, pornography, fantasy, horror-from evolutionary and psychological perspectives, Grodal also reflects on social issues at the intersection of film theory and neuropsychology. These include moral problems in film viewing, how we experience realism and character identification, and the value of the subjective forms that cinema uniquely elaborates.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Embodied Visions presents a groundbreaking analysis of film through the lens of bioculturalism, revealing how human biology as well as human culture determine how films are made and experienced. Throughout his study, Torben Grodal uses the breakthroughs of modern brain science to explain central features of film aesthetics and to construct a general model of aesthetic experience-what he terms the PECMA flow model-that demonstrates the movement of information and emotions in the brain when viewing film. Examining a wide array of genres-animation, romance, pornography, fantasy, horror-from evolutionary and psychological perspectives, Grodal also reflects on social issues at the intersection of film theory and neuropsychology. These include moral problems in film viewing, how we experience realism and character identification, and the value of the subjective forms that cinema uniquely elaborates.

More books from Oxford University Press

Cover of the book A Better Way to Think About Business by Torben Grodal
Cover of the book A Lexicon of Terror by Torben Grodal
Cover of the book Ain't I a Beauty Queen? by Torben Grodal
Cover of the book Stories We've Heard, Stories We've Told by Torben Grodal
Cover of the book The Art of Teaching Art : A Guide for Teaching and Learning the Foundations of Drawing-Based Art by Torben Grodal
Cover of the book The Reformation and Wars of Religion in France: Oxford Bibliographies Online Research Guide by Torben Grodal
Cover of the book Locked Out by Torben Grodal
Cover of the book Love Songs by Torben Grodal
Cover of the book Flesh and Blood by Torben Grodal
Cover of the book Myth by Torben Grodal
Cover of the book Aquinas's Way to God by Torben Grodal
Cover of the book Disability and Equity at Work by Torben Grodal
Cover of the book Inventing American Religion by Torben Grodal
Cover of the book Organized Time by Torben Grodal
Cover of the book The Biology of Homosexuality by Torben Grodal
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy