| Author: | Julie Adams, Susan G. Cumings, Asbjørn Grønstad, Jena Habegger-Conti, Lene Johannessen, Anne Karhio, Mark Ledbetter, John McLeod, Professor of Postcolonial and Diaspora Literatures, University of Leeds, Scott Rettberg, Laura Saetveit Miles, Erik Tonning, Øyvind Vågnes | ISBN: | 9781498572002 |
| Publisher: | Lexington Books | Publication: | December 31, 2018 |
| Imprint: | Lexington Books | Language: | English |
| Author: | Julie Adams, Susan G. Cumings, Asbjørn Grønstad, Jena Habegger-Conti, Lene Johannessen, Anne Karhio, Mark Ledbetter, John McLeod, Professor of Postcolonial and Diaspora Literatures, University of Leeds, Scott Rettberg, Laura Saetveit Miles, Erik Tonning, Øyvind Vågnes |
| ISBN: | 9781498572002 |
| Publisher: | Lexington Books |
| Publication: | December 31, 2018 |
| Imprint: | Lexington Books |
| Language: | English |
Emerging Aesthetic Imaginaries considers aesthetic imaginaries as they constitute and are constituted by and in our shared realities. With contributions from twelve scholars working in the fields of literary studies, visual studies, anthropology, cultural studies, and digital culture, this book takes a multidisciplinary approach to “aesthetic imaginaries,” which tests the conceptual potential from an array of perspectives and methodologies. It probes into the continuous creation and re-creation of figures for the future that invariably nod to their pasts, whether with a spirit of respect, disgust, hope, or play. It is particularly in the intersections between ideas and formations of “shared realities” and what Ranjan Ghosh has called “entangled figurations” that the full and intricate promise of the aesthetic imaginary as analytic and conceptual prism comes into its own. As the chapters in this collection demonstrate, “knots” of various aesthetic imaginaries disseminate and manifest variously and across place and time, to weave and interweave again, and to offer themselves in each instance as contours-so-far of cultural and aesthetic histories.
Emerging Aesthetic Imaginaries considers aesthetic imaginaries as they constitute and are constituted by and in our shared realities. With contributions from twelve scholars working in the fields of literary studies, visual studies, anthropology, cultural studies, and digital culture, this book takes a multidisciplinary approach to “aesthetic imaginaries,” which tests the conceptual potential from an array of perspectives and methodologies. It probes into the continuous creation and re-creation of figures for the future that invariably nod to their pasts, whether with a spirit of respect, disgust, hope, or play. It is particularly in the intersections between ideas and formations of “shared realities” and what Ranjan Ghosh has called “entangled figurations” that the full and intricate promise of the aesthetic imaginary as analytic and conceptual prism comes into its own. As the chapters in this collection demonstrate, “knots” of various aesthetic imaginaries disseminate and manifest variously and across place and time, to weave and interweave again, and to offer themselves in each instance as contours-so-far of cultural and aesthetic histories.
