Emily Dickinson's Death Poetry

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Emily Dickinson's Death Poetry by Nina Dietrich, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nina Dietrich ISBN: 9783638239844
Publisher: GRIN Publishing Publication: December 17, 2003
Imprint: GRIN Publishing Language: English
Author: Nina Dietrich
ISBN: 9783638239844
Publisher: GRIN Publishing
Publication: December 17, 2003
Imprint: GRIN Publishing
Language: English

Essay from the year 2002 in the subject American Studies - Literature, grade: 1.0 (A), University of Kent (School of English), course: Nineteenth-Century American Literature, 9 entries in the bibliography, language: English, abstract: After the first two volumes of Emily Dickinson's poems appeared posthumously in 1890 and 1891, there were many negative reviews of her work, such as, If Miss Dickinson's disjecta membra are poems, then Shakespeare's prolonged imposition should be exposed without further loss of time ... Miss Dickinson's versicles have a queerness and a quaintness that have stirred a momentary curiosity in emotional bosoms. Oblivion lingers in the immediate neighbourhood.1 Today, however, Dickinson's poetry is widely regarded as a milestone in American literature. Dickinson has become a classic, famous for her vivid, powerful imagery and innovative style. In fact, some critics consider her 'the finest American woman poet'2 and claim that '[h]er accomplishment is so radically original that the entire model of what poetry can know (and write) changes when her work is taken into account.'3 There is an extensive range of criticism on Emily Dickinson's poetry, many of which focuses on her treatment of five dominant themes, that is, life, death, immortality, love and nature. Dickinson's early editors as well as critics including Ruth Flanders McNaughton group the poems in these categories. According to Henry W. Wells, about one quarter of Dickinson's poems deals chiefly with the theme of death. 4 This part of Emily Dickinson's poetry will be in the centre of this essay. The essay will, first of all, explain why the theme is so important for the poet. Why does Dickinson appear to be preoccupied with death? Is it natural for her to make death one of her central topics? 1 Anonymous, 'The New Pastoral Poetry,' The Atlantic Monthly, 69, January 1892, p.144, quoted in Ruth Flanders McNaughton, The Imagery of Emily Dickinson, Norwood Editions, 1970, p. vii 2 David Porter, Dickinson: The Modern Idiom, Harvard University Press, 1981, p.1, quoted in Helen McNeil, Emily Dickinson, Virago Press, 1986, p.1 3 Helen McNeil, Emily Dickinson, Virago Press, 1986, p.1 4 Henry W. Wells, Introduction to Emily Dickinson, Hendricks House, 1958, p. 94

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Essay from the year 2002 in the subject American Studies - Literature, grade: 1.0 (A), University of Kent (School of English), course: Nineteenth-Century American Literature, 9 entries in the bibliography, language: English, abstract: After the first two volumes of Emily Dickinson's poems appeared posthumously in 1890 and 1891, there were many negative reviews of her work, such as, If Miss Dickinson's disjecta membra are poems, then Shakespeare's prolonged imposition should be exposed without further loss of time ... Miss Dickinson's versicles have a queerness and a quaintness that have stirred a momentary curiosity in emotional bosoms. Oblivion lingers in the immediate neighbourhood.1 Today, however, Dickinson's poetry is widely regarded as a milestone in American literature. Dickinson has become a classic, famous for her vivid, powerful imagery and innovative style. In fact, some critics consider her 'the finest American woman poet'2 and claim that '[h]er accomplishment is so radically original that the entire model of what poetry can know (and write) changes when her work is taken into account.'3 There is an extensive range of criticism on Emily Dickinson's poetry, many of which focuses on her treatment of five dominant themes, that is, life, death, immortality, love and nature. Dickinson's early editors as well as critics including Ruth Flanders McNaughton group the poems in these categories. According to Henry W. Wells, about one quarter of Dickinson's poems deals chiefly with the theme of death. 4 This part of Emily Dickinson's poetry will be in the centre of this essay. The essay will, first of all, explain why the theme is so important for the poet. Why does Dickinson appear to be preoccupied with death? Is it natural for her to make death one of her central topics? 1 Anonymous, 'The New Pastoral Poetry,' The Atlantic Monthly, 69, January 1892, p.144, quoted in Ruth Flanders McNaughton, The Imagery of Emily Dickinson, Norwood Editions, 1970, p. vii 2 David Porter, Dickinson: The Modern Idiom, Harvard University Press, 1981, p.1, quoted in Helen McNeil, Emily Dickinson, Virago Press, 1986, p.1 3 Helen McNeil, Emily Dickinson, Virago Press, 1986, p.1 4 Henry W. Wells, Introduction to Emily Dickinson, Hendricks House, 1958, p. 94

More books from GRIN Publishing

Cover of the book Enhancing the Disaster Resilience of Cities within the East African Community by Nina Dietrich
Cover of the book Comparison between the Language of James Joyce and Samuel Beckett by Nina Dietrich
Cover of the book Why do democratic states not fight each other? A systemic approach to the democratic peace by Nina Dietrich
Cover of the book Places of Pilgrimage by Nina Dietrich
Cover of the book The Managing Diversity program of the Deutsche Bank by Nina Dietrich
Cover of the book An analysis of a sample of persuasive language Martin Luther King, Jr.: I Have a Dream by Nina Dietrich
Cover of the book United States' involvement in the Middle East Peace Process by Nina Dietrich
Cover of the book Future Trends in Purchasing by Nina Dietrich
Cover of the book Are we all modern Robinsons? by Nina Dietrich
Cover of the book School children should do sport on a daily basis by Nina Dietrich
Cover of the book Das Verhältnis zwischen dem Ersten und Zweiten Testament by Nina Dietrich
Cover of the book Asset Management Strategies by Nina Dietrich
Cover of the book To be or not to be - The question of identity in selected postmodern American short stories by Nina Dietrich
Cover of the book Old Women in Canadian Literature by Nina Dietrich
Cover of the book The 2011 Revolution in Egypt in US Print Media by Nina Dietrich
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy