Etruscan Roman Remains in Popular Tradition

Nonfiction, History, Italy, Fiction & Literature, Classics
Cover of the book Etruscan Roman Remains in Popular Tradition by Charles Godfrey Leland, AppsPublisher
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Charles Godfrey Leland ISBN: 9781623942106
Publisher: AppsPublisher Publication: April 7, 2013
Imprint: Language: English
Author: Charles Godfrey Leland
ISBN: 9781623942106
Publisher: AppsPublisher
Publication: April 7, 2013
Imprint:
Language: English

This book is a classic study of the folklore of the Tuscan region of Italy (to the northwest of Rome, around Florence). It ties these traditions to ancient Etruscan and Roman pagan practices. The central focus is the ideology and practice of Stregheria, Italian traditional witchcraft.

This is essentially an ethnography of what neopagans term a 'family tradition': that is, practical magic--but with an Italian flavor. We meet the Goddess of Truffles, learn the details of divining by oil, fire and molten lead; how to bring back the dead, and coerce nature spirits into performing favors. Leland carefully documents his field notes, and includes the full text of numerous spells and songs in Italian, particularly the Tuscan dialect. The text includes many fairy-tales of the sort that are not suitable for children. Leland draws on often obscure sources which tie his data into classical and pre-classical pagan traditions, particularly the little-known Etruscan religion.
But--as the saying goes--wait, there's more. Leland takes numerous witty, but somewhat bipolar, tangents. He is both a rationalist and a romantic; one moment he is off on an anti-clerical rant, the next he is revealing that he was initiated into witchcraft at an early age by a Pennsylvania Dutch nanny. He patronizes his informants with a wink and a nudge to the reader; then rhapsodizes over the innate spiritual qualities of the natural world in language that would make a neo-druid blush.
In short, Leland was obviously not the detached observer which modern social science demands. This has not helped acceptance of his books by academics, and even some neopagans are deeply suspicious of his work. However, he makes it clear that he isn't writing for a rigorous academic audience, but for posterity. As a progressive Victorian, Leland believed that modernism would soon overwhelm and extinguish these traditions. The antiquarian in him worked to bring them to light.
Although difficult reading at points, this book will reward anyone seeking details about the actual practice of a folk magic, which despite Lelands' prediction of its impending demise, persists to this day.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book is a classic study of the folklore of the Tuscan region of Italy (to the northwest of Rome, around Florence). It ties these traditions to ancient Etruscan and Roman pagan practices. The central focus is the ideology and practice of Stregheria, Italian traditional witchcraft.

This is essentially an ethnography of what neopagans term a 'family tradition': that is, practical magic--but with an Italian flavor. We meet the Goddess of Truffles, learn the details of divining by oil, fire and molten lead; how to bring back the dead, and coerce nature spirits into performing favors. Leland carefully documents his field notes, and includes the full text of numerous spells and songs in Italian, particularly the Tuscan dialect. The text includes many fairy-tales of the sort that are not suitable for children. Leland draws on often obscure sources which tie his data into classical and pre-classical pagan traditions, particularly the little-known Etruscan religion.
But--as the saying goes--wait, there's more. Leland takes numerous witty, but somewhat bipolar, tangents. He is both a rationalist and a romantic; one moment he is off on an anti-clerical rant, the next he is revealing that he was initiated into witchcraft at an early age by a Pennsylvania Dutch nanny. He patronizes his informants with a wink and a nudge to the reader; then rhapsodizes over the innate spiritual qualities of the natural world in language that would make a neo-druid blush.
In short, Leland was obviously not the detached observer which modern social science demands. This has not helped acceptance of his books by academics, and even some neopagans are deeply suspicious of his work. However, he makes it clear that he isn't writing for a rigorous academic audience, but for posterity. As a progressive Victorian, Leland believed that modernism would soon overwhelm and extinguish these traditions. The antiquarian in him worked to bring them to light.
Although difficult reading at points, this book will reward anyone seeking details about the actual practice of a folk magic, which despite Lelands' prediction of its impending demise, persists to this day.

More books from AppsPublisher

Cover of the book The Poetic Edda by Charles Godfrey Leland
Cover of the book Symbolical Masonry by Charles Godfrey Leland
Cover of the book The Pictorial Key to The Tarot by Charles Godfrey Leland
Cover of the book The Story of Viga-Glum by Charles Godfrey Leland
Cover of the book The Love Books of Ovid by Charles Godfrey Leland
Cover of the book Paradise Found by Charles Godfrey Leland
Cover of the book To the Gold Coast for Gold by Charles Godfrey Leland
Cover of the book The Trial Of Christ by Charles Godfrey Leland
Cover of the book The Transmigration Of The Seven Brahmans by Charles Godfrey Leland
Cover of the book The Cabala by Charles Godfrey Leland
Cover of the book The Kasidah Of Haji Abdu El-Yezdi by Charles Godfrey Leland
Cover of the book The Picture In The House by Charles Godfrey Leland
Cover of the book More English Fairy Tales by Charles Godfrey Leland
Cover of the book The Wisdom of Rastafari by Charles Godfrey Leland
Cover of the book Tales Of The Dartmoor Pixies by Charles Godfrey Leland
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy