Exceptional State

Contemporary U.S. Culture and the New Imperialism

Fiction & Literature, Literary Theory & Criticism, American, Theory
Cover of the book Exceptional State by John  Carlos Rowe, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John Carlos Rowe ISBN: 9780822389644
Publisher: Duke University Press Publication: June 29, 2007
Imprint: Duke University Press Books Language: English
Author: John Carlos Rowe
ISBN: 9780822389644
Publisher: Duke University Press
Publication: June 29, 2007
Imprint: Duke University Press Books
Language: English

Exceptional State analyzes the nexus of culture and contemporary manifestations of U.S. imperialism. The contributors, established and emerging cultural studies scholars, define culture broadly to include a range of media, literature, and political discourse. They do not posit September 11, 2001 as the beginning of U.S. belligerence and authoritarianism at home and abroad, but they do provide context for understanding U.S. responses to and uses of that event. Taken together, the essays stress both the continuities and discontinuities embodied in a present-day U.S. imperialism constituted through expressions of millennialism, exceptionalism, technological might, and visions of world dominance.

The contributors address a range of topics, paying particular attention to the dynamics of gender and race. Their essays include a surprising reading of the ostensibly liberal movies Wag the Dog and Three Kings, an exploration of the rhetoric surrounding the plan to remake the military into a high-tech force less dependent on human bodies, a look at the significance of the popular Left Behind series of novels, and an interpretation of the Abu Ghraib prison photos. They scrutinize the national narrative created to justify the U.S. invasions of Afghanistan and Iraq, the ways that women in those countries have responded to the invasions, the contradictions underlying calls for U.S. humanitarian interventions, and the role of Africa in the U.S. imperial imagination. The volume concludes on a hopeful note, with a look at an emerging anti-imperialist public sphere.

Contributors. Omar Dahbour, Ashley Dawson, Cynthia Enloe, Melani McAlister, Christian Parenti, Donald E. Pease, John Carlos Rowe, Malini Johar Schueller, Harilaos Stecopoulos

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Exceptional State analyzes the nexus of culture and contemporary manifestations of U.S. imperialism. The contributors, established and emerging cultural studies scholars, define culture broadly to include a range of media, literature, and political discourse. They do not posit September 11, 2001 as the beginning of U.S. belligerence and authoritarianism at home and abroad, but they do provide context for understanding U.S. responses to and uses of that event. Taken together, the essays stress both the continuities and discontinuities embodied in a present-day U.S. imperialism constituted through expressions of millennialism, exceptionalism, technological might, and visions of world dominance.

The contributors address a range of topics, paying particular attention to the dynamics of gender and race. Their essays include a surprising reading of the ostensibly liberal movies Wag the Dog and Three Kings, an exploration of the rhetoric surrounding the plan to remake the military into a high-tech force less dependent on human bodies, a look at the significance of the popular Left Behind series of novels, and an interpretation of the Abu Ghraib prison photos. They scrutinize the national narrative created to justify the U.S. invasions of Afghanistan and Iraq, the ways that women in those countries have responded to the invasions, the contradictions underlying calls for U.S. humanitarian interventions, and the role of Africa in the U.S. imperial imagination. The volume concludes on a hopeful note, with a look at an emerging anti-imperialist public sphere.

Contributors. Omar Dahbour, Ashley Dawson, Cynthia Enloe, Melani McAlister, Christian Parenti, Donald E. Pease, John Carlos Rowe, Malini Johar Schueller, Harilaos Stecopoulos

More books from Duke University Press

Cover of the book The Black Jacobins Reader by John  Carlos Rowe
Cover of the book Credit, Fashion, Sex by John  Carlos Rowe
Cover of the book Projections of Power by John  Carlos Rowe
Cover of the book The Third and Only Way by John  Carlos Rowe
Cover of the book Cuban Music from A to Z by John  Carlos Rowe
Cover of the book The Art of Transition by John  Carlos Rowe
Cover of the book The Children of 1965 by John  Carlos Rowe
Cover of the book What's Left of the Left by John  Carlos Rowe
Cover of the book Hans Staden's True History by John  Carlos Rowe
Cover of the book Diplomatic Material by John  Carlos Rowe
Cover of the book Millennial Capitalism and the Culture of Neoliberalism by John  Carlos Rowe
Cover of the book Tourists of History by John  Carlos Rowe
Cover of the book Music, Sound, and Technology in America by John  Carlos Rowe
Cover of the book Love, H by John  Carlos Rowe
Cover of the book In the Name of Humanity by John  Carlos Rowe
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy