Exiles in Print

Little Magazines in Europe, 19211938

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Reference & Language, Study Aids, ESL, Foreign Languages
Cover of the book Exiles in Print by AnnKatrin Jonsson, Celia Aijmer Rydsjö, Peter Lang
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Author: AnnKatrin Jonsson, Celia Aijmer Rydsjö ISBN: 9783653982589
Publisher: Peter Lang Publication: December 11, 2015
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften Language: English
Author: AnnKatrin Jonsson, Celia Aijmer Rydsjö
ISBN: 9783653982589
Publisher: Peter Lang
Publication: December 11, 2015
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Language: English

The book provides a complementary view of modernism by investigating Anglo-American little magazines published in Europe in the 1920s and 1930s. Addressing symbolic and practical aspects of physical location and international themes in the little reviews, it highlights the infrastructure of modernism – networks, finances and genealogies. The authors link activities, strategies and negotiations with the creation of modernism as we know it, as magazine editors are shown to be highly conscious of their role as canon-makers. In this rendition, modernism is intrinsically linked with its agents and practices and pushes the dividing lines between narrow elite culture and wider readerships, as well as between cosmopolites and tourists.

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The book provides a complementary view of modernism by investigating Anglo-American little magazines published in Europe in the 1920s and 1930s. Addressing symbolic and practical aspects of physical location and international themes in the little reviews, it highlights the infrastructure of modernism – networks, finances and genealogies. The authors link activities, strategies and negotiations with the creation of modernism as we know it, as magazine editors are shown to be highly conscious of their role as canon-makers. In this rendition, modernism is intrinsically linked with its agents and practices and pushes the dividing lines between narrow elite culture and wider readerships, as well as between cosmopolites and tourists.

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