Expanded Painting

Ontological Aesthetics and the Essence of Colour

Nonfiction, Art & Architecture, General Art, Colour, Religion & Spirituality, Philosophy, Aesthetics, Criticism
Cover of the book Expanded Painting by Mark Titmarsh, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mark Titmarsh ISBN: 9781350004184
Publisher: Bloomsbury Publishing Publication: August 24, 2017
Imprint: Bloomsbury Academic Language: English
Author: Mark Titmarsh
ISBN: 9781350004184
Publisher: Bloomsbury Publishing
Publication: August 24, 2017
Imprint: Bloomsbury Academic
Language: English

The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance.

Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance.

Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenges both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting.

More books from Bloomsbury Publishing

Cover of the book In the Company of Angels by Mark Titmarsh
Cover of the book New Directions in Islamic Thought by Mark Titmarsh
Cover of the book Mussolini's Greek Island by Mark Titmarsh
Cover of the book The Rivals by Mark Titmarsh
Cover of the book IBPS Bank PO Practice Test Papers by Mark Titmarsh
Cover of the book Reeds Vol 12 Motor Engineering Knowledge for Marine Engineers by Mark Titmarsh
Cover of the book J.K. Rowling: A Bibliography by Mark Titmarsh
Cover of the book Saladin by Mark Titmarsh
Cover of the book A Thousand Stars Explode in the Sky by Mark Titmarsh
Cover of the book Tess by Mark Titmarsh
Cover of the book Otterburn 1388 by Mark Titmarsh
Cover of the book The Wonderful World of Dissocia by Mark Titmarsh
Cover of the book Pocket Guide To Garden Birds by Mark Titmarsh
Cover of the book Representation of the British Suffrage Movement by Mark Titmarsh
Cover of the book Spitfire Aces of Burma and the Pacific by Mark Titmarsh
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy