Extracting the Stone of Madness: Poems 1962 - 1972

Nonfiction, Entertainment, Drama, Continental European, Fiction & Literature, Poetry
Cover of the book Extracting the Stone of Madness: Poems 1962 - 1972 by Alejandra Pizarnik, New Directions
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Author: Alejandra Pizarnik ISBN: 9780811216432
Publisher: New Directions Publication: May 17, 2016
Imprint: New Directions Language: English
Author: Alejandra Pizarnik
ISBN: 9780811216432
Publisher: New Directions
Publication: May 17, 2016
Imprint: New Directions
Language: English

**The first full-length collection in English by one of Latin America’s most significant twentieth-century poets. **

Revered by the likes of Octavio Paz and Roberto Bolano, Alejandra Pizarnik is still a hidden treasure in the U.S. *Extracting the Stone of Madness: Poems 1962–1972 *comprises all of her middle to late work, as well as a selection of posthumously published verse. Obsessed with themes of solitude, childhood, madness and death, Pizarnik explored the shifting valences of the self and the border between speech and silence. In her own words, she was drawn to "the suffering of Baudelaire, the suicide of Nerval, the premature silence of Rimbaud, the mysterious and fleeting presence of Lautréamont,” as well as to the “unparalleled intensity” of Artaud’s “physical and moral suffering.”

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

**The first full-length collection in English by one of Latin America’s most significant twentieth-century poets. **

Revered by the likes of Octavio Paz and Roberto Bolano, Alejandra Pizarnik is still a hidden treasure in the U.S. *Extracting the Stone of Madness: Poems 1962–1972 *comprises all of her middle to late work, as well as a selection of posthumously published verse. Obsessed with themes of solitude, childhood, madness and death, Pizarnik explored the shifting valences of the self and the border between speech and silence. In her own words, she was drawn to "the suffering of Baudelaire, the suicide of Nerval, the premature silence of Rimbaud, the mysterious and fleeting presence of Lautréamont,” as well as to the “unparalleled intensity” of Artaud’s “physical and moral suffering.”

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