Family as Allegory in Italian and Spanish Cinema

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Family as Allegory in Italian and Spanish Cinema by Robert Stolt, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Robert Stolt ISBN: 9783640631995
Publisher: GRIN Publishing Publication: May 27, 2010
Imprint: GRIN Publishing Language: English
Author: Robert Stolt
ISBN: 9783640631995
Publisher: GRIN Publishing
Publication: May 27, 2010
Imprint: GRIN Publishing
Language: English

Essay from the year 2010 in the subject Film Science, grade: 1,2, University of St Andrews, language: English, abstract: The family as an institution that is accountable for raising responsible and mature adults who become representatives of their societies is a key principle of social organisation (Bernardes 1997: 2, Hill 1998: 63). For children, familial life is the very first experience of social relations, through which they become part of a larger community. The intertwining of the levels of human aggregation can be studied 'as the complex mechanisms around which the history of a nation is constructed' (Ginsborg 2003: xiii). Thus, analysing the state of the family is an effective vehicle for tracing social and cultural conflicts within a nation. In respect thereof, this essay is aimed to explore the metaphoric effect of the families displayed in Amelio's Il ladro di Bambini and Saura's Cría Cuervos. This essay attempts to analyse how the families displayed in Ladro and Cría can be used to explore the state of the Italian and Spanish nation. Thus, in the second chapter the family shall be looked at as the base of social aggregation in the sense of Aristotle and de Bonald. Moreover, in chapter three the emphasis lies on the different generations in the two films that represent the countries' cultural, social and political changes. In chapter four, the contrast between old and modern that results from these changes will be looked at in more detail. Furthermore, chapter five will pursue the afore-mentioned issues with the focus on the dysfunctional family as a social and political metaphor. Lastly, chapter six shall conclude the essay with a retrospective analysis.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Essay from the year 2010 in the subject Film Science, grade: 1,2, University of St Andrews, language: English, abstract: The family as an institution that is accountable for raising responsible and mature adults who become representatives of their societies is a key principle of social organisation (Bernardes 1997: 2, Hill 1998: 63). For children, familial life is the very first experience of social relations, through which they become part of a larger community. The intertwining of the levels of human aggregation can be studied 'as the complex mechanisms around which the history of a nation is constructed' (Ginsborg 2003: xiii). Thus, analysing the state of the family is an effective vehicle for tracing social and cultural conflicts within a nation. In respect thereof, this essay is aimed to explore the metaphoric effect of the families displayed in Amelio's Il ladro di Bambini and Saura's Cría Cuervos. This essay attempts to analyse how the families displayed in Ladro and Cría can be used to explore the state of the Italian and Spanish nation. Thus, in the second chapter the family shall be looked at as the base of social aggregation in the sense of Aristotle and de Bonald. Moreover, in chapter three the emphasis lies on the different generations in the two films that represent the countries' cultural, social and political changes. In chapter four, the contrast between old and modern that results from these changes will be looked at in more detail. Furthermore, chapter five will pursue the afore-mentioned issues with the focus on the dysfunctional family as a social and political metaphor. Lastly, chapter six shall conclude the essay with a retrospective analysis.

More books from GRIN Publishing

Cover of the book Freud and the Polymorphous Perverse by Robert Stolt
Cover of the book Nepal's Economic Landscape: Recommendations for a sustainable Economic Policy by Robert Stolt
Cover of the book Relationship between Balik-Islam (Muslim Reverts) and full-fledged Muslims under the Auspices of Islamic Teachings in Philippine Setting by Robert Stolt
Cover of the book Cross-Cultural Management. The case of the DaimlerChrysler Merger by Robert Stolt
Cover of the book Beiträge zur Entwicklung in Usbekistan und China by Robert Stolt
Cover of the book William Dean Howell's A Hazard of New Fortunes and Soren Kierkegaard's Philosophy of Existence by Robert Stolt
Cover of the book Potential Impacts of General Packed Radio Service on European Telecommunication Companies and their Customers by Robert Stolt
Cover of the book Japan and its war-time past by Robert Stolt
Cover of the book Hayek as a liberal - His contribution to politics and economic by Robert Stolt
Cover of the book Corporate finance and the theory of the firm by Robert Stolt
Cover of the book Does one size fit all? - Aptitude treatment interaction and error management training by Robert Stolt
Cover of the book Othello - A feminist Shakespeare and a drama about a handkerchief by Robert Stolt
Cover of the book Key Supply Chain Performance Indicators by Robert Stolt
Cover of the book The morpheme - An approach to its meaning and function by Robert Stolt
Cover of the book Types of Verb in English by Robert Stolt
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy