Famous Reviews

Fiction & Literature
Cover of the book Famous Reviews by R. Brimley Johnson, anboco
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: R. Brimley Johnson ISBN: 9783736413665
Publisher: anboco Publication: September 6, 2016
Imprint: Language: English
Author: R. Brimley Johnson
ISBN: 9783736413665
Publisher: anboco
Publication: September 6, 2016
Imprint:
Language: English
Although regular literary organs, and the critical columns of the press, are both of comparatively recent origin, we find that almost from the beginning our journalists aspired to be critics as well as newsmongers. Under Charles II, Sir Roger L'Estrange issued his Observator (1681), which was a weekly review, not a chronicle; and John Dunton's The Athenian Mercury (1690), is best described as a sort of early "Notes and Queries." Here, as elsewhere, Defoe developed this branch of journalism, particularly in his Review (1704), and in Mist's Journal (1714). And, again, as in all other departments, his methods were not materially improved upon until Leigh Hunt, and his brother John, started The Examiner in 1808, soon after the rise of the Reviews. Addison and Steele, of course, had treated literary topics in The Spectator or The Tatler; but the serious discussion of contemporary writers began with the Whig Edinburgh of 1802 and the Tory Quarterly of 1809. By the end of George III's reign every daily paper had its column of book-notices; while 1817 marks an epoch in the weekly press; when William Jerdan started The Observator (parent of our Athenaeum) in order to furnish (for one shilling weekly) "a clear and instructive picture of the moral and literary improvement of the time, and a complete and authentic chronological literary record for reference." Though probably there is no form of literature more widely practised, and less organised, than the review, it would be safe to say that every example stands somewhere between a critical essay and a publisher's advertisement. We need not, however, consider here the many influences which may corrupt newspaper criticism to-day, nor concern ourselves with those legitimate "notices of books" which only aim at "telling the story" or otherwise offering guidance for an "order from the library.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Although regular literary organs, and the critical columns of the press, are both of comparatively recent origin, we find that almost from the beginning our journalists aspired to be critics as well as newsmongers. Under Charles II, Sir Roger L'Estrange issued his Observator (1681), which was a weekly review, not a chronicle; and John Dunton's The Athenian Mercury (1690), is best described as a sort of early "Notes and Queries." Here, as elsewhere, Defoe developed this branch of journalism, particularly in his Review (1704), and in Mist's Journal (1714). And, again, as in all other departments, his methods were not materially improved upon until Leigh Hunt, and his brother John, started The Examiner in 1808, soon after the rise of the Reviews. Addison and Steele, of course, had treated literary topics in The Spectator or The Tatler; but the serious discussion of contemporary writers began with the Whig Edinburgh of 1802 and the Tory Quarterly of 1809. By the end of George III's reign every daily paper had its column of book-notices; while 1817 marks an epoch in the weekly press; when William Jerdan started The Observator (parent of our Athenaeum) in order to furnish (for one shilling weekly) "a clear and instructive picture of the moral and literary improvement of the time, and a complete and authentic chronological literary record for reference." Though probably there is no form of literature more widely practised, and less organised, than the review, it would be safe to say that every example stands somewhere between a critical essay and a publisher's advertisement. We need not, however, consider here the many influences which may corrupt newspaper criticism to-day, nor concern ourselves with those legitimate "notices of books" which only aim at "telling the story" or otherwise offering guidance for an "order from the library.

More books from anboco

Cover of the book Adventures of Huckleberry Finn by R. Brimley Johnson
Cover of the book Common Sense by R. Brimley Johnson
Cover of the book The Life of Joan of Arc by R. Brimley Johnson
Cover of the book Little Bobtail; or, The Wreck of the Penobscot by R. Brimley Johnson
Cover of the book Home Entertaining by R. Brimley Johnson
Cover of the book The Arts and Crafts of Ancient Egypt by R. Brimley Johnson
Cover of the book Battle Honours of the British Army by R. Brimley Johnson
Cover of the book Captain Carey or Fighting the Indians at Pine Ridge by R. Brimley Johnson
Cover of the book The Story of Paul Jones by R. Brimley Johnson
Cover of the book The Dungeons of Old Paris - Being the Story and Rf the Monarchy and the Revolution by R. Brimley Johnson
Cover of the book Humour, Wit and Satire of the Seventeenth Century by R. Brimley Johnson
Cover of the book Ring of the Niblung by R. Brimley Johnson
Cover of the book The Romany Rye by R. Brimley Johnson
Cover of the book The open Sea by R. Brimley Johnson
Cover of the book Farmington by R. Brimley Johnson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy