Federico Barocci and the Oratorians

Corporate Patronage and Style in the Counter-Reformation

Nonfiction, History, Italy, Art & Architecture, Art History
Cover of the book Federico Barocci and the Oratorians by Ian F. Verstegen, Truman State University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ian F. Verstegen ISBN: 9781612481333
Publisher: Truman State University Press Publication: April 1, 2015
Imprint: Language: English
Author: Ian F. Verstegen
ISBN: 9781612481333
Publisher: Truman State University Press
Publication: April 1, 2015
Imprint:
Language: English

In 1586, Federico Barocci delivered his Visitation of the Virgin and St. Elizabeth to the Chiesa Nuova in Rome. For the next quarter century, Barocci dominated the art scene in Rome; there was no other artist from whom it was harder to get work and no other artist charged such high prices. Having two important altarpieces in the Chiesa Nuova and two additional commissions discussed was an impressive feat for an artist living exclusively in Urbino. Why did the Oratorians monopolize Barocci’s talents in Rome and why does it seem that Barocci was their first choice when considering artists to decorate their church? What was it about Barocci’s art that appealed to Oratorian sensibilities and their vision of the artistic program for decoration of their church?

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In 1586, Federico Barocci delivered his Visitation of the Virgin and St. Elizabeth to the Chiesa Nuova in Rome. For the next quarter century, Barocci dominated the art scene in Rome; there was no other artist from whom it was harder to get work and no other artist charged such high prices. Having two important altarpieces in the Chiesa Nuova and two additional commissions discussed was an impressive feat for an artist living exclusively in Urbino. Why did the Oratorians monopolize Barocci’s talents in Rome and why does it seem that Barocci was their first choice when considering artists to decorate their church? What was it about Barocci’s art that appealed to Oratorian sensibilities and their vision of the artistic program for decoration of their church?

More books from Truman State University Press

Cover of the book Dear Harry, Love Bess: Bess Truman's Letters to Harry Truman, 19191943 by Ian F. Verstegen
Cover of the book Confraternities and Catholic Reform in Italy, France, and Spain by Ian F. Verstegen
Cover of the book Happy in an Ordinary Thing by Ian F. Verstegen
Cover of the book The Miniature Room by Ian F. Verstegen
Cover of the book Blue Scorpion by Ian F. Verstegen
Cover of the book Choosing Death by Ian F. Verstegen
Cover of the book Conflict in the Ozarks: Hill Folk, Industrialists, and Government in Missouri's Courtois Hills by Ian F. Verstegen
Cover of the book Warp by Ian F. Verstegen
Cover of the book Frontier Doctor, Medical Pioneer by Ian F. Verstegen
Cover of the book Trout Streams of the Heart by Ian F. Verstegen
Cover of the book False Prophets and Preachers by Ian F. Verstegen
Cover of the book Bound by Ian F. Verstegen
Cover of the book Works & Days by Ian F. Verstegen
Cover of the book Renaissance Dynasticism and Apanage Politics by Ian F. Verstegen
Cover of the book The Girls of Usually by Ian F. Verstegen
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy