Female Embodiment and Subjectivity in the Modernist Novel

The Corporeum of Virginia Woolf and Olive Moore

Fiction & Literature, Literary Theory & Criticism, Women Authors, British
Cover of the book Female Embodiment and Subjectivity in the Modernist Novel by Renée Dickinson, Taylor and Francis
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Author: Renée Dickinson ISBN: 9781136603525
Publisher: Taylor and Francis Publication: August 21, 2012
Imprint: Routledge Language: English
Author: Renée Dickinson
ISBN: 9781136603525
Publisher: Taylor and Francis
Publication: August 21, 2012
Imprint: Routledge
Language: English

This studyconsiders the work of two experimental British women modernists writing in the tumultuous interwar period--Virginia Woolf and Olive Moore--by examining four crucial incarnations of female embodiment and subjectivity: female bodies, geographical imagery, national ideology and textual experimentation. Dickinson proposes that the ways Mrs. Dalloway, and The Waves by Virginia Woolf and Spleen and Fugue by Olive Moore reflect, expose and criticize physical, geographical and national bodies in the narrative and form of their texts reveal the authors’ attempts to try on new forms and experiment with new possibilities of female embodiment and subjectivity.

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This studyconsiders the work of two experimental British women modernists writing in the tumultuous interwar period--Virginia Woolf and Olive Moore--by examining four crucial incarnations of female embodiment and subjectivity: female bodies, geographical imagery, national ideology and textual experimentation. Dickinson proposes that the ways Mrs. Dalloway, and The Waves by Virginia Woolf and Spleen and Fugue by Olive Moore reflect, expose and criticize physical, geographical and national bodies in the narrative and form of their texts reveal the authors’ attempts to try on new forms and experiment with new possibilities of female embodiment and subjectivity.

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