Film modernism

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Film modernism by Sam Rohdie, Manchester University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sam Rohdie ISBN: 9781784996062
Publisher: Manchester University Press Publication: September 1, 2015
Imprint: Manchester University Press Language: English
Author: Sam Rohdie
ISBN: 9781784996062
Publisher: Manchester University Press
Publication: September 1, 2015
Imprint: Manchester University Press
Language: English

This book is at once a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework. The author refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism. Jean-Luc Godard’s work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book is at once a detailed study of a range of individual filmmakers and a study of the modernism in which they are situated. It consists of fifty categories arranged in alphabetical order, among which are allegory, bricolage, classicism, contradiction, desire, destructuring and writing. Each category, though autonomous, interacts, intersects and juxtaposes with the others, entering into a dialogue with them and in so doing creates connections, illuminations, associations and rhymes which may not have arisen in a more conventional framework. The author refers to particular films and directors that raise questions related to modernism, and, inevitably, thereby to classicism. Jean-Luc Godard’s work is at the centre of the book, though it spreads out, evokes and echoes other filmmakers and their work, including the films of Michelangelo Antonioni, Bernardo Bertolucci, John Ford, Howard Hawks, Alfred Hitchcock, João César Monteiro, Pier Paolo Pasolini and Orson Welles. This innovative and eloquently written text book will be an essential resource for all film students.

More books from Manchester University Press

Cover of the book Migration into art by Sam Rohdie
Cover of the book Housewives and citizens by Sam Rohdie
Cover of the book Devolution and the Scottish Conservatives by Sam Rohdie
Cover of the book Turkey facing east by Sam Rohdie
Cover of the book Visions and ruins by Sam Rohdie
Cover of the book Artículos de costumbres by Sam Rohdie
Cover of the book Human remains in society by Sam Rohdie
Cover of the book Islamic charities and Islamic humanism in troubled times by Sam Rohdie
Cover of the book Banished potentates by Sam Rohdie
Cover of the book Fools and idiots? by Sam Rohdie
Cover of the book Women and ETA by Sam Rohdie
Cover of the book Masters and servants by Sam Rohdie
Cover of the book Community and identity by Sam Rohdie
Cover of the book From Partition to Brexit by Sam Rohdie
Cover of the book Listen in terror by Sam Rohdie
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy