Film Programming

Curating for Cinemas, Festivals, Archives

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Film Programming by Peter Bosma, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Peter Bosma ISBN: 9780231850827
Publisher: Columbia University Press Publication: June 9, 2015
Imprint: WallFlower Press Language: English
Author: Peter Bosma
ISBN: 9780231850827
Publisher: Columbia University Press
Publication: June 9, 2015
Imprint: WallFlower Press
Language: English

This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers—everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers—everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.

More books from Columbia University Press

Cover of the book Masks of Conquest by Peter Bosma
Cover of the book The Resurrected Skeleton by Peter Bosma
Cover of the book The Land of the Five Flavors by Peter Bosma
Cover of the book Climate Change by Peter Bosma
Cover of the book Ethnic Conflict and Protest in Tibet and Xinjiang by Peter Bosma
Cover of the book Radical History and the Politics of Art by Peter Bosma
Cover of the book Winged Faith by Peter Bosma
Cover of the book The Engine of Complexity by Peter Bosma
Cover of the book Hideous Progeny by Peter Bosma
Cover of the book The Great Civilized Conversation by Peter Bosma
Cover of the book The Logic of Japanese Politics by Peter Bosma
Cover of the book Why We Dance by Peter Bosma
Cover of the book Origins of Darwin's Evolution by Peter Bosma
Cover of the book Torn at the Roots by Peter Bosma
Cover of the book Religion in America by Peter Bosma
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy