Film, Religion and Activist Citizens

An ontology of transformative acts

Nonfiction, Art & Architecture, General Art, Art Technique, Religion & Spirituality, Theology
Cover of the book Film, Religion and Activist Citizens by Milja Radovic, Taylor and Francis
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Author: Milja Radovic ISBN: 9781315442747
Publisher: Taylor and Francis Publication: June 26, 2017
Imprint: Routledge Language: English
Author: Milja Radovic
ISBN: 9781315442747
Publisher: Taylor and Francis
Publication: June 26, 2017
Imprint: Routledge
Language: English

Film can be a socio-political and artistic-transformative cultural practice through which acts and activism are performed. Going beyond ideological constructs of activism and legal definitions of citizenship, this book offers a novel approach to understanding the ontology of acts and activist citizenship, particularly in the context of their expression through film.

The author approaches film as act and focuses on the scene of film as a space that goes beyond representation, constituting its own reality through which activist citizens emerge. By looking at autonomous creative acts through a range of directors' works from across the world, the author explores both the ontological and ontic dimensions of transformative acts of citizenship. In doing this the author poses the question of whether citizens are stepping out of dominant cultural ideologies to overcome social, ethnic, religious and economic divisions.

This book is a fresh exploration of the ontology of acts and is essential reading for any academic interested in religion, theology, film and citizenship studies.

 

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Film can be a socio-political and artistic-transformative cultural practice through which acts and activism are performed. Going beyond ideological constructs of activism and legal definitions of citizenship, this book offers a novel approach to understanding the ontology of acts and activist citizenship, particularly in the context of their expression through film.

The author approaches film as act and focuses on the scene of film as a space that goes beyond representation, constituting its own reality through which activist citizens emerge. By looking at autonomous creative acts through a range of directors' works from across the world, the author explores both the ontological and ontic dimensions of transformative acts of citizenship. In doing this the author poses the question of whether citizens are stepping out of dominant cultural ideologies to overcome social, ethnic, religious and economic divisions.

This book is a fresh exploration of the ontology of acts and is essential reading for any academic interested in religion, theology, film and citizenship studies.

 

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