Filming Forster

The Challenges of Adapting E.M. Forster's Novels for the Screen

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Entertainment, Film, History & Criticism, Art & Architecture, General Art, Art Technique
Cover of the book Filming Forster by Earl G. Ingersoll, Fairleigh Dickinson University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Earl G. Ingersoll ISBN: 9781611475180
Publisher: Fairleigh Dickinson University Press Publication: February 16, 2012
Imprint: Fairleigh Dickinson University Press Language: English
Author: Earl G. Ingersoll
ISBN: 9781611475180
Publisher: Fairleigh Dickinson University Press
Publication: February 16, 2012
Imprint: Fairleigh Dickinson University Press
Language: English

Filming Forster focuses upon the challenges of producing film adaptations of five of E. M. Forster’s novels. Rather than follow the older comparative approach, which typically damned the film for not being “faithful” to the novel, this project explores the interactive relationship between film and novel. That relationship is implicit in the title “Filming” Forster, rather than “Forster Filmed,” which would suggest a completed process. A film adaptation forever changes the novel from which it was adapted, just as a return to the novel changes the viewer’s perceptions of the film.

Adapting Forster’s novels for the screen was postponed until well after the author’s death in 1970 because the trustees of the author’s estate fulfilled his wish that his work not be filmed. Following the appearance of David Lean’s film A Passage to India in 1984, four other film adaptations were released within seven years. Perhaps the most important was the Merchant Ivory production of Maurice, based upon Forster’s “gay” novel, published a year after his death. That film was among the first to approach same-sex relationships between men in a serious, respectful, and generally optimistic manner.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Filming Forster focuses upon the challenges of producing film adaptations of five of E. M. Forster’s novels. Rather than follow the older comparative approach, which typically damned the film for not being “faithful” to the novel, this project explores the interactive relationship between film and novel. That relationship is implicit in the title “Filming” Forster, rather than “Forster Filmed,” which would suggest a completed process. A film adaptation forever changes the novel from which it was adapted, just as a return to the novel changes the viewer’s perceptions of the film.

Adapting Forster’s novels for the screen was postponed until well after the author’s death in 1970 because the trustees of the author’s estate fulfilled his wish that his work not be filmed. Following the appearance of David Lean’s film A Passage to India in 1984, four other film adaptations were released within seven years. Perhaps the most important was the Merchant Ivory production of Maurice, based upon Forster’s “gay” novel, published a year after his death. That film was among the first to approach same-sex relationships between men in a serious, respectful, and generally optimistic manner.

More books from Fairleigh Dickinson University Press

Cover of the book Stage Matters by Earl G. Ingersoll
Cover of the book Mussolini's National Project in Argentina by Earl G. Ingersoll
Cover of the book Heterodox Shakespeare by Earl G. Ingersoll
Cover of the book People's Warrior by Earl G. Ingersoll
Cover of the book Fixing Gender by Earl G. Ingersoll
Cover of the book Why Do We Go to the Zoo? by Earl G. Ingersoll
Cover of the book Body of State by Earl G. Ingersoll
Cover of the book Screening Woolf by Earl G. Ingersoll
Cover of the book Shakespeare and the Cleopatra/Caesar Intertext by Earl G. Ingersoll
Cover of the book Comics as History, Comics as Literature by Earl G. Ingersoll
Cover of the book Women and Comedy by Earl G. Ingersoll
Cover of the book History and National Ideology in Greek Postmodernist Fiction by Earl G. Ingersoll
Cover of the book Andrew Marvell, Sexual Orientation, and Seventeenth-Century Poetry by Earl G. Ingersoll
Cover of the book The City Since 9/11 by Earl G. Ingersoll
Cover of the book Division and Imagined Unity in the American Renaissance by Earl G. Ingersoll
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy