First-Person Anonymous

Women Writers and Victorian Print Media, 1830–1870

Fiction & Literature, Literary Theory & Criticism
Cover of the book First-Person Anonymous by Alexis Easley, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alexis Easley ISBN: 9781351936408
Publisher: Taylor and Francis Publication: May 15, 2017
Imprint: Routledge Language: English
Author: Alexis Easley
ISBN: 9781351936408
Publisher: Taylor and Francis
Publication: May 15, 2017
Imprint: Routledge
Language: English

First-Person Anonymous revises previous histories of Victorian women's writing by examining the importance of both anonymous periodical journalism and signed book authorship in women’s literary careers. Alexis Easley demonstrates how women writers capitalized on the publishing conventions associated with signed and unsigned print media in order to create their own spaces of agency and meaning within a male-dominated publishing industry. She highlights the importance of journalism in the fashioning of women's complex identities, thus providing a counterpoint to conventional critical accounts of the period that reduce periodical journalism to a monolithically oppressive domain of power relations. Instead, she demonstrates how anonymous publication enabled women to participate in important social and political debates without compromising their middle-class respectability. Through extensive analysis of literary and journalistic texts, Easley demonstrates how the narrative strategies and political concerns associated with women's journalism carried over into their signed books of poetry and prose. Women faced a variety of obstacles and opportunities as they negotiated the demands of signed and unsigned print media. In investigating women's engagement with these media, Easley focuses specifically on the work of Christian Johnstone (1781-1857), Harriet Martineau (1802-76), Elizabeth Gaskell (1810-65), George Eliot (1819-80) , and Christina Rossetti (1830-94). She provides new insight into the careers of these authors and recovers a large, anonymous body of periodical writing through which their better known careers emerged into public visibility. Since her work touches on two issues central to the study of literary history - the construction of the author and changes in media technology - it will appeal to an audience of scholars and general readers in the fields of Victorian literature, media studies, periodicals research, gender studies, and nineteenth-century

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

First-Person Anonymous revises previous histories of Victorian women's writing by examining the importance of both anonymous periodical journalism and signed book authorship in women’s literary careers. Alexis Easley demonstrates how women writers capitalized on the publishing conventions associated with signed and unsigned print media in order to create their own spaces of agency and meaning within a male-dominated publishing industry. She highlights the importance of journalism in the fashioning of women's complex identities, thus providing a counterpoint to conventional critical accounts of the period that reduce periodical journalism to a monolithically oppressive domain of power relations. Instead, she demonstrates how anonymous publication enabled women to participate in important social and political debates without compromising their middle-class respectability. Through extensive analysis of literary and journalistic texts, Easley demonstrates how the narrative strategies and political concerns associated with women's journalism carried over into their signed books of poetry and prose. Women faced a variety of obstacles and opportunities as they negotiated the demands of signed and unsigned print media. In investigating women's engagement with these media, Easley focuses specifically on the work of Christian Johnstone (1781-1857), Harriet Martineau (1802-76), Elizabeth Gaskell (1810-65), George Eliot (1819-80) , and Christina Rossetti (1830-94). She provides new insight into the careers of these authors and recovers a large, anonymous body of periodical writing through which their better known careers emerged into public visibility. Since her work touches on two issues central to the study of literary history - the construction of the author and changes in media technology - it will appeal to an audience of scholars and general readers in the fields of Victorian literature, media studies, periodicals research, gender studies, and nineteenth-century

More books from Taylor and Francis

Cover of the book Developing Writing Skills in French by Alexis Easley
Cover of the book She's So Fine: Reflections on Whiteness, Femininity, Adolescence and Class in 1960s Music by Alexis Easley
Cover of the book The Kosovo Tragedy by Alexis Easley
Cover of the book Law as Institutional Normative Order by Alexis Easley
Cover of the book Letters from England by Alexis Easley
Cover of the book Seven Wonders of the Ancient World by Alexis Easley
Cover of the book Chinese Hydropower Development in Africa and Asia by Alexis Easley
Cover of the book The Role of Taste in Kant's Theory of Cognition by Alexis Easley
Cover of the book A Short History of the Papacy in the Middle Ages by Alexis Easley
Cover of the book Glasnost in Action (Routledge Revivals) by Alexis Easley
Cover of the book Behavior Analysis for Effective Teaching by Alexis Easley
Cover of the book Commercial and Business Organizations Law in Papua New Guinea by Alexis Easley
Cover of the book In Defence of Wonder and Other Philosophical Reflections by Alexis Easley
Cover of the book The Welfare Economics of Alternative Renewable Resource Strategies by Alexis Easley
Cover of the book EU External Relations Law and the European Neighbourhood Policy by Alexis Easley
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy