Fossil Poetry

Anglo-Saxon and Linguistic Nativism in Nineteenth-Century Poetry

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism
Cover of the book Fossil Poetry by Chris Jones, OUP Oxford
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Chris Jones ISBN: 9780192557964
Publisher: OUP Oxford Publication: August 9, 2018
Imprint: OUP Oxford Language: English
Author: Chris Jones
ISBN: 9780192557964
Publisher: OUP Oxford
Publication: August 9, 2018
Imprint: OUP Oxford
Language: English

Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English. It addresses the use and role of Anglo-Saxon as a resource by Romantic and Victorian poets in their own compositions, as well as the construction and 'invention' of Anglo-Saxon in and by nineteenth-century poetry. Fossil Poetry takes its title from a famous passage on 'early' language in the essays of Ralph Waldo Emerson, and uses the metaphor of the fossil to contextualize poetic Anglo-Saxonism within the developments that had been taking place in the fields of geology, palaeontology, and the evolutionary life sciences since James Hutton's apprehension of 'deep time' in his 1788 Theory of the Earth. Fossil Poetry argues that two, roughly consecutive phases of poetic Anglo-Saxonism took place over the course of the nineteenth century: firstly, a phase of 'constant roots' whereby Anglo-Saxon is constructed to resemble, and so to legitimize a tradition of English Romanticism conceived as essential and unchanging; secondly, a phase in which the strangeness of many of the 'extinct' philological forms of early English is acknowledged, and becomes concurrent with a desire to recover and recuperate the fossils of Anglo-Saxon within contemporary English poetry. The volume advances new readings of work by a variety of poets including Walter Scott, Henry Longfellow, William Wordsworth, William Barnes, Walt Whitman, Ralph Waldo Emerson, William Morris, Alfred Tennyson, and Gerard Hopkins.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English. It addresses the use and role of Anglo-Saxon as a resource by Romantic and Victorian poets in their own compositions, as well as the construction and 'invention' of Anglo-Saxon in and by nineteenth-century poetry. Fossil Poetry takes its title from a famous passage on 'early' language in the essays of Ralph Waldo Emerson, and uses the metaphor of the fossil to contextualize poetic Anglo-Saxonism within the developments that had been taking place in the fields of geology, palaeontology, and the evolutionary life sciences since James Hutton's apprehension of 'deep time' in his 1788 Theory of the Earth. Fossil Poetry argues that two, roughly consecutive phases of poetic Anglo-Saxonism took place over the course of the nineteenth century: firstly, a phase of 'constant roots' whereby Anglo-Saxon is constructed to resemble, and so to legitimize a tradition of English Romanticism conceived as essential and unchanging; secondly, a phase in which the strangeness of many of the 'extinct' philological forms of early English is acknowledged, and becomes concurrent with a desire to recover and recuperate the fossils of Anglo-Saxon within contemporary English poetry. The volume advances new readings of work by a variety of poets including Walter Scott, Henry Longfellow, William Wordsworth, William Barnes, Walt Whitman, Ralph Waldo Emerson, William Morris, Alfred Tennyson, and Gerard Hopkins.

More books from OUP Oxford

Cover of the book Judicial Review by Chris Jones
Cover of the book Hume, Passion, and Action by Chris Jones
Cover of the book Human Rights by Chris Jones
Cover of the book A Dictionary of Ophthalmology by Chris Jones
Cover of the book A Practical Guide to the Interpretation of Cardiopulmonary Exercise Tests by Chris Jones
Cover of the book The History of the World Federation of Neurology by Chris Jones
Cover of the book The Oxford Handbook of the Indian Constitution by Chris Jones
Cover of the book Accountability in the Contemporary Constitution by Chris Jones
Cover of the book Losing Touch by Chris Jones
Cover of the book The Oxford Handbook of Laboratory Phonology by Chris Jones
Cover of the book The Oxford Handbook of the Victorian Novel by Chris Jones
Cover of the book Real-Estate Derivatives by Chris Jones
Cover of the book Environmental Integration in Competition and Free-Movement Laws by Chris Jones
Cover of the book Tax By Design by Chris Jones
Cover of the book The Concise Oxford Dictionary of the Christian Church by Chris Jones
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy