Fully Exposed

The Male Nude in Photography

Nonfiction, Art & Architecture, General Art, Art History, History
Cover of the book Fully Exposed by Emmanuel Cooper, Taylor and Francis
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Author: Emmanuel Cooper ISBN: 9781136783722
Publisher: Taylor and Francis Publication: May 13, 2013
Imprint: Routledge Language: English
Author: Emmanuel Cooper
ISBN: 9781136783722
Publisher: Taylor and Francis
Publication: May 13, 2013
Imprint: Routledge
Language: English

Fully Exposed is a pioneering cultural history of the photography of the male nude which sets the photographer and the model within our cultural and historical perceptions and prejudices. This second edition extends the book's coverage so that the story from the beginnings of the medium to the present day is complete.
Fully Exposed is lavishly illustrated with over two hundred and fifty photographs,many of them new to this edition. Different chapters discuss how the male nude has been used by artists, the way it has been treated in the popular press,in relation to British colonialism and scientific ideology. It also discusses `private pictures' taken at home or acquired as erotic material by the private collector. A final chapter brings the book up-to-date and discusses the male nude in the nineties.
The combination of art criticism and photographic essay make this an unusual and important book both for academics and the general reader.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Fully Exposed is a pioneering cultural history of the photography of the male nude which sets the photographer and the model within our cultural and historical perceptions and prejudices. This second edition extends the book's coverage so that the story from the beginnings of the medium to the present day is complete.
Fully Exposed is lavishly illustrated with over two hundred and fifty photographs,many of them new to this edition. Different chapters discuss how the male nude has been used by artists, the way it has been treated in the popular press,in relation to British colonialism and scientific ideology. It also discusses `private pictures' taken at home or acquired as erotic material by the private collector. A final chapter brings the book up-to-date and discusses the male nude in the nineties.
The combination of art criticism and photographic essay make this an unusual and important book both for academics and the general reader.

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