Gestures of Music Theater

The Performativity of Song and Dance

Nonfiction, Entertainment, Music, Pop & Rock, Dance, Music Styles
Cover of the book Gestures of Music Theater by Dominic Symonds, Millie Taylor, Oxford University Press
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Author: Dominic Symonds, Millie Taylor ISBN: 9780199997183
Publisher: Oxford University Press Publication: December 2, 2013
Imprint: Oxford University Press Language: English
Author: Dominic Symonds, Millie Taylor
ISBN: 9780199997183
Publisher: Oxford University Press
Publication: December 2, 2013
Imprint: Oxford University Press
Language: English

Gestures of Music Theater: The Performativity of Song and Dance offers new, cutting-edge essays focusing on song and dance as performative gestures that not only entertain but also act on audiences and performers. The chapters range across musical theater, opera, theater, and other artistic practices, from Glee to Gardzienice, Beckett to Disney, Broadway to Turner-Prize-winning sound installation. The chapters draw together these diverse examples of vocality and physicality by exploring their affect rather than through considering them as texts. The book's contributors derive methodologies from many disciplines. Resisting discrete discipline-based enquiry, they share methodologies and performance repertoires with discipline-based scholarship from theater studies, musicology, and cultural studies, among other approaches. Together, they view these as neighboring voices whose dialogue enriches the study of contemporary music theater.

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Gestures of Music Theater: The Performativity of Song and Dance offers new, cutting-edge essays focusing on song and dance as performative gestures that not only entertain but also act on audiences and performers. The chapters range across musical theater, opera, theater, and other artistic practices, from Glee to Gardzienice, Beckett to Disney, Broadway to Turner-Prize-winning sound installation. The chapters draw together these diverse examples of vocality and physicality by exploring their affect rather than through considering them as texts. The book's contributors derive methodologies from many disciplines. Resisting discrete discipline-based enquiry, they share methodologies and performance repertoires with discipline-based scholarship from theater studies, musicology, and cultural studies, among other approaches. Together, they view these as neighboring voices whose dialogue enriches the study of contemporary music theater.

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