Grotowski, Women, and Contemporary Performance

Meetings with Remarkable Women

Nonfiction, Entertainment, Theatre, Performing Arts, Social & Cultural Studies, Social Science, Gender Studies, Women&
Cover of the book Grotowski, Women, and Contemporary Performance by Virginie Magnat, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Virginie Magnat ISBN: 9781135081706
Publisher: Taylor and Francis Publication: September 11, 2013
Imprint: Routledge Language: English
Author: Virginie Magnat
ISBN: 9781135081706
Publisher: Taylor and Francis
Publication: September 11, 2013
Imprint: Routledge
Language: English

As the first examination of women's foremost contributions to Jerzy Grotowski's cross-cultural investigation of performance, this book complements and broadens existing literature by offering a more diverse and inclusive re-assessment of Grotowski's legacy, thereby probing its significance for contemporary performance practice and research. Although the particularly strenuous physical training emblematic of Grotowski's approach is not gender specific, it has historically been associated with a masculine conception of the performer incarnated by Ryszard Cieslak in The Constant Prince, thus overlooking the work of Rena Mirecka, Maja Komorowska, and Elizabeth Albahaca, to name only the leading women performers identified with the period of theatre productions. This book therefore redresses this imbalance by focusing on key women from different cultures and generations who share a direct connection to Grotowski's legacy while clearly asserting their artistic independence. These women actively participated in all phases of the Polish director’s practical research, and continue to play a vital role in today's transnational community of artists whose work reflects Grotowski's enduring influence. Grounding her inquiry in her embodied research and on-going collaboration with these artists, Magnat explores the interrelation of creativity, embodiment, agency, and spirituality within their performing and teaching. Building on current debates in performance studies, experimental ethnography, Indigenous research, global gender studies, and ecocriticism, the author maps out interconnections between these women's distinct artistic practices across the boundaries that once delineated Grotowski's theatrical and post-theatrical experiments.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

As the first examination of women's foremost contributions to Jerzy Grotowski's cross-cultural investigation of performance, this book complements and broadens existing literature by offering a more diverse and inclusive re-assessment of Grotowski's legacy, thereby probing its significance for contemporary performance practice and research. Although the particularly strenuous physical training emblematic of Grotowski's approach is not gender specific, it has historically been associated with a masculine conception of the performer incarnated by Ryszard Cieslak in The Constant Prince, thus overlooking the work of Rena Mirecka, Maja Komorowska, and Elizabeth Albahaca, to name only the leading women performers identified with the period of theatre productions. This book therefore redresses this imbalance by focusing on key women from different cultures and generations who share a direct connection to Grotowski's legacy while clearly asserting their artistic independence. These women actively participated in all phases of the Polish director’s practical research, and continue to play a vital role in today's transnational community of artists whose work reflects Grotowski's enduring influence. Grounding her inquiry in her embodied research and on-going collaboration with these artists, Magnat explores the interrelation of creativity, embodiment, agency, and spirituality within their performing and teaching. Building on current debates in performance studies, experimental ethnography, Indigenous research, global gender studies, and ecocriticism, the author maps out interconnections between these women's distinct artistic practices across the boundaries that once delineated Grotowski's theatrical and post-theatrical experiments.

More books from Taylor and Francis

Cover of the book Comparing the Social Policy Experience of Britain and Taiwan by Virginie Magnat
Cover of the book Journalism and Social Media in Africa by Virginie Magnat
Cover of the book Land Degradation and Society by Virginie Magnat
Cover of the book The World Health Organization (WHO) by Virginie Magnat
Cover of the book Effective Practice in Spatial Planning by Virginie Magnat
Cover of the book Effective Teaching of Secondary Science, The by Virginie Magnat
Cover of the book Against Understanding, Volume 2 by Virginie Magnat
Cover of the book External Dimension of an Emerging Economy, India by Virginie Magnat
Cover of the book Twentieth Century Accounting Thinkers (RLE Accounting) by Virginie Magnat
Cover of the book Beginning Shakespeare 4-11 by Virginie Magnat
Cover of the book The Couple And Family In Managed Care by Virginie Magnat
Cover of the book Routledge Revivals: Maritime Boundaries and Ocean Resources (1987) by Virginie Magnat
Cover of the book Karl Marx: Man and Fighter (RLE Marxism) by Virginie Magnat
Cover of the book Economies under Occupation by Virginie Magnat
Cover of the book Schools and Community by Virginie Magnat
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy