Guilhermina Suggia: Cellist

Nonfiction, Entertainment, Music
Cover of the book Guilhermina Suggia: Cellist by Anita Mercier, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Anita Mercier ISBN: 9781351564755
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: Anita Mercier
ISBN: 9781351564755
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

Born in 1885 in Porto, Portugal, to a middle-class musical family, Guilhermina Suggia began playing cello at the age of five. A child prodigy, she was already a seasoned performer when she won a scholarship to study with Julius Klengel in Leipzig at the age of sixteen. Suggia lived in Paris with fellow cellist Pablo Casals for several years before World War I, in a professional and personal partnership that was as stormy as it was unconventional. When they separated Suggia moved to London, where she built a spectacularly successful solo career. Suggia's virtuosity and musicianship, along with the magnificent style and stage presence famously captured in Augustus John's portrait, made her one of the most sought-after concert artists of her day. In 1927 she married Dr Jos asimiro Carteado Mena and settled down to a comfortable life divided between Portugal and England. Throughout the 1930s, Suggia remained one of the most respected musicians in Europe. She partnered on stage with many famous instrumentalists and conductors and completed numerous BBC broadcasts. The war years kept her at home in Portugal, where she focused on teaching, but she returned to England directly after the war and resumed performing. When Suggia died in 1950, her will provided for the establishment of several scholarship funds for young cellists, including England's prestigious Suggia Gift. Mercier's study of Suggia's letters and other writings reveal an intelligent, warm and generous character; an artist who was enormously dedicated, knowledgeable and self-disciplined. Suggia was one of the first women to make a career of playing the cello at a time when prejudice against women playing this traditionally 'masculine' instrument was still strong. A role model for many other musicians, she was herself a fearless pioneer.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Born in 1885 in Porto, Portugal, to a middle-class musical family, Guilhermina Suggia began playing cello at the age of five. A child prodigy, she was already a seasoned performer when she won a scholarship to study with Julius Klengel in Leipzig at the age of sixteen. Suggia lived in Paris with fellow cellist Pablo Casals for several years before World War I, in a professional and personal partnership that was as stormy as it was unconventional. When they separated Suggia moved to London, where she built a spectacularly successful solo career. Suggia's virtuosity and musicianship, along with the magnificent style and stage presence famously captured in Augustus John's portrait, made her one of the most sought-after concert artists of her day. In 1927 she married Dr Jos asimiro Carteado Mena and settled down to a comfortable life divided between Portugal and England. Throughout the 1930s, Suggia remained one of the most respected musicians in Europe. She partnered on stage with many famous instrumentalists and conductors and completed numerous BBC broadcasts. The war years kept her at home in Portugal, where she focused on teaching, but she returned to England directly after the war and resumed performing. When Suggia died in 1950, her will provided for the establishment of several scholarship funds for young cellists, including England's prestigious Suggia Gift. Mercier's study of Suggia's letters and other writings reveal an intelligent, warm and generous character; an artist who was enormously dedicated, knowledgeable and self-disciplined. Suggia was one of the first women to make a career of playing the cello at a time when prejudice against women playing this traditionally 'masculine' instrument was still strong. A role model for many other musicians, she was herself a fearless pioneer.

More books from Taylor and Francis

Cover of the book Housing and the New Welfare State by Anita Mercier
Cover of the book Doing Multicultural Education for Achievement and Equity by Anita Mercier
Cover of the book Education and the Nation State by Anita Mercier
Cover of the book East Asia in Transition: Toward a New Regional Order by Anita Mercier
Cover of the book A World Full of Women by Anita Mercier
Cover of the book Young Entrepreneurs in Sub-Saharan Africa by Anita Mercier
Cover of the book Governance and the Depoliticisation of Development by Anita Mercier
Cover of the book The Church at War: The Military Activities of Bishops, Abbots and Other Clergy in England, c. 900-1200 by Anita Mercier
Cover of the book Teaching Art & Design in the Primary School by Anita Mercier
Cover of the book Comparing the Social Policy Experience of Britain and Taiwan by Anita Mercier
Cover of the book Older People and Their Caregivers Across the Spectrum of Care by Anita Mercier
Cover of the book Memory and Mind by Anita Mercier
Cover of the book Being Catholic in the Contemporary Philippines by Anita Mercier
Cover of the book Smoking by Anita Mercier
Cover of the book Biological Memory by Anita Mercier
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy