Guy Maddin's My Winnipeg

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Guy Maddin's My Winnipeg by Darren  Wershler, University of Toronto Press, Scholarly Publishing Division
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Darren Wershler ISBN: 9781442694064
Publisher: University of Toronto Press, Scholarly Publishing Division Publication: September 4, 2010
Imprint: Language: English
Author: Darren Wershler
ISBN: 9781442694064
Publisher: University of Toronto Press, Scholarly Publishing Division
Publication: September 4, 2010
Imprint:
Language: English

Guy Maddin is Canada's most iconoclastic filmmaker. Through his reinvention of half-forgotten film genres, his remobilization of abandoned techniques from the early history of cinema, and his unique editing style, Maddin has created a critically successful body of work that looks like nothing else in Canadian film. My Winnipeg (2008), which Roger Ebert called one of the ten best films of the first decade of the twenty-first century, has consolidated Maddin's international reputation.

In this sixth volume of the Canadian Cinema series, Darren Wershler argues that Maddin's use of techniques and media that fall outside of the normal repertoire of contemporary cinema require us to re-examine what we think we know about the documentary genre and even 'film' itself. Through an exploration of My Winnipeg's major thematic concerns - memory, the cultural archive, and how people and objects circulate through the space of the city - Wershler contends that the result is a film that is psychologically and affectively true without being historically accurate.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Guy Maddin is Canada's most iconoclastic filmmaker. Through his reinvention of half-forgotten film genres, his remobilization of abandoned techniques from the early history of cinema, and his unique editing style, Maddin has created a critically successful body of work that looks like nothing else in Canadian film. My Winnipeg (2008), which Roger Ebert called one of the ten best films of the first decade of the twenty-first century, has consolidated Maddin's international reputation.

In this sixth volume of the Canadian Cinema series, Darren Wershler argues that Maddin's use of techniques and media that fall outside of the normal repertoire of contemporary cinema require us to re-examine what we think we know about the documentary genre and even 'film' itself. Through an exploration of My Winnipeg's major thematic concerns - memory, the cultural archive, and how people and objects circulate through the space of the city - Wershler contends that the result is a film that is psychologically and affectively true without being historically accurate.

More books from University of Toronto Press, Scholarly Publishing Division

Cover of the book Past Futures by Darren  Wershler
Cover of the book Breaking the Bargain by Darren  Wershler
Cover of the book The Supreme Court of Nova Scotia, 1754-2004 by Darren  Wershler
Cover of the book Staying Human During Residency Training by Darren  Wershler
Cover of the book Theorizing the Ideal Sovereign by Darren  Wershler
Cover of the book As For Sinclair Ross by Darren  Wershler
Cover of the book Fascism, Architecture, and the Claiming of Modern Milan, 1922-1943 by Darren  Wershler
Cover of the book The Organic Psychoses by Darren  Wershler
Cover of the book Collective Bargaining in the Essential and Public Service Sectors by Darren  Wershler
Cover of the book The Trinity in History by Darren  Wershler
Cover of the book The Letters of Sara Hutchinson by Darren  Wershler
Cover of the book The Politics of the Charter by Darren  Wershler
Cover of the book Erasmus of Rotterdam by Darren  Wershler
Cover of the book Milton and the Climates of Reading by Darren  Wershler
Cover of the book Reconsidering Boccaccio by Darren  Wershler
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy