Harlequin in Hogtown

George Luscombe and Toronto Workshop Productions

Nonfiction, Entertainment, Performing Arts, Theatre, History & Criticism, Fiction & Literature, Drama
Cover of the book Harlequin in Hogtown by Neil Carson, University of Toronto Press, Scholarly Publishing Division
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Neil Carson ISBN: 9781487596460
Publisher: University of Toronto Press, Scholarly Publishing Division Publication: January 1, 1995
Imprint: Language: English
Author: Neil Carson
ISBN: 9781487596460
Publisher: University of Toronto Press, Scholarly Publishing Division
Publication: January 1, 1995
Imprint:
Language: English

Toronto Workshop Productions was Toronto's first 'alternative' theatre, and for thirty years, from 1959 until its closure in 1989, it introduced audiences to a radically new form of theatre. Neil Carson's in-depth history of TWP traces the fortunes of many of its actors, writers, designers, and technicians -- but the troupe's colourful artistic director, George Luscombe, is its central character.

George Luscombe brought Toronto a new form of theatre based on the techniques and theories he developed during the four years he worked with Joan Littlewood's Theatre Workshop in London. Toronto Workshop Productions began its activities in a small theatre in the basement of a factory in 1959 with Luscombe as artistic director. He presided over a program of collective play creation that fostered cooperative collaboration among all the contributing artists. A series of original works and plays from the European repertoire in innovative productions won the company increasing critical acclaim. The company acquired its own building in 1967, establishing its reputation as the most exciting theatre in the city. By the early 1970s, however, a growing atmosphere of Canadian nationalism caused TWP to be overshadowed by a number of new alternative theatres. Luscombe's and TWP's vision of an ideologically committed, technically experimental theatre remained strong for a number of years, but in the end a combination of internal and external problems overwhelmed the company.

TWP's productions provoked radically different responses among audiences, and Luscombe's particular style of drama - a combination of documentary, stylized movement, and music - remains controversial. As a pioneer and as a stimulating teacher, however, George Luscombe has provided inspiration for countless actors and directors. Carson's book is an invaluable addition to the history of Canadian theatre.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Toronto Workshop Productions was Toronto's first 'alternative' theatre, and for thirty years, from 1959 until its closure in 1989, it introduced audiences to a radically new form of theatre. Neil Carson's in-depth history of TWP traces the fortunes of many of its actors, writers, designers, and technicians -- but the troupe's colourful artistic director, George Luscombe, is its central character.

George Luscombe brought Toronto a new form of theatre based on the techniques and theories he developed during the four years he worked with Joan Littlewood's Theatre Workshop in London. Toronto Workshop Productions began its activities in a small theatre in the basement of a factory in 1959 with Luscombe as artistic director. He presided over a program of collective play creation that fostered cooperative collaboration among all the contributing artists. A series of original works and plays from the European repertoire in innovative productions won the company increasing critical acclaim. The company acquired its own building in 1967, establishing its reputation as the most exciting theatre in the city. By the early 1970s, however, a growing atmosphere of Canadian nationalism caused TWP to be overshadowed by a number of new alternative theatres. Luscombe's and TWP's vision of an ideologically committed, technically experimental theatre remained strong for a number of years, but in the end a combination of internal and external problems overwhelmed the company.

TWP's productions provoked radically different responses among audiences, and Luscombe's particular style of drama - a combination of documentary, stylized movement, and music - remains controversial. As a pioneer and as a stimulating teacher, however, George Luscombe has provided inspiration for countless actors and directors. Carson's book is an invaluable addition to the history of Canadian theatre.

More books from University of Toronto Press, Scholarly Publishing Division

Cover of the book The Rhetoric of Violence and Sacrifice in Fascist Italy by Neil Carson
Cover of the book Lonergan on Philosophic Pluralism by Neil Carson
Cover of the book Finding the Right Words by Neil Carson
Cover of the book Saint Aldhelm's 'Riddles' by Neil Carson
Cover of the book The Protective Tariff in Canada's Development by Neil Carson
Cover of the book Publicity and the Canadian State by Neil Carson
Cover of the book The Evolution of Great World Cities by Neil Carson
Cover of the book The Dangers of Nuclear War by Neil Carson
Cover of the book The Epic of Juan Latino by Neil Carson
Cover of the book Theatre for Shakespeare by Neil Carson
Cover of the book Canadians and Foreign Policy by Neil Carson
Cover of the book Method in Theology by Neil Carson
Cover of the book Minnesota and the Manifest Destiny of the Canadian Northwest by Neil Carson
Cover of the book Impersonations by Neil Carson
Cover of the book The Culture of the Seven Years' War by Neil Carson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy