Harmonics for the 5-String Banjo

Nonfiction, Entertainment, Music, Instruments & Instruction, Guitar, Instruction & Study, General Instruments
Cover of the book Harmonics for the 5-String Banjo by Christopher Rudy, Mel Bay Publications, Inc.
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Author: Christopher Rudy ISBN: 9781513416021
Publisher: Mel Bay Publications, Inc. Publication: March 12, 2018
Imprint: Language: English
Author: Christopher Rudy
ISBN: 9781513416021
Publisher: Mel Bay Publications, Inc.
Publication: March 12, 2018
Imprint:
Language: English

The definitive text on playing harmonics (chimes) on the 5-string banjo in G tuning! In addition to traditional chiming methods, the author’s new T3N technique for creating banjo harmonics will add new dimensions to your playing. While particularly useful in the three-finger style, T3N can be used in other banjo styles and on other stringed instruments.

Most banjo players are familiar with playing open-string harmonics on the 5-string banjo over the 12th, 7th and 5thfrets, or perhaps the 4th and 9th frets, so that in typical G-tuning, the open G-chord, D-chord, octave G-chord, and B-chord notes are chimed. With the T3N technique presented in this book, entire scales can be chimed, with other harmonic effects including choking and sliding possibilities!

The first part of this book provides a review of traditional banjo harmonic chiming techniques, while the second part explores the exciting new T3Napproach. Written in tablature only, for 5-string banjo in GDGBD tuning.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The definitive text on playing harmonics (chimes) on the 5-string banjo in G tuning! In addition to traditional chiming methods, the author’s new T3N technique for creating banjo harmonics will add new dimensions to your playing. While particularly useful in the three-finger style, T3N can be used in other banjo styles and on other stringed instruments.

Most banjo players are familiar with playing open-string harmonics on the 5-string banjo over the 12th, 7th and 5thfrets, or perhaps the 4th and 9th frets, so that in typical G-tuning, the open G-chord, D-chord, octave G-chord, and B-chord notes are chimed. With the T3N technique presented in this book, entire scales can be chimed, with other harmonic effects including choking and sliding possibilities!

The first part of this book provides a review of traditional banjo harmonic chiming techniques, while the second part explores the exciting new T3Napproach. Written in tablature only, for 5-string banjo in GDGBD tuning.

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