Heartland

Fiction & Literature, Poetry
Cover of the book Heartland by Michele Leggott, Auckland University Press
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Author: Michele Leggott ISBN: 9781775587354
Publisher: Auckland University Press Publication: May 1, 2014
Imprint: Auckland University Press Language: English
Author: Michele Leggott
ISBN: 9781775587354
Publisher: Auckland University Press
Publication: May 1, 2014
Imprint: Auckland University Press
Language: English

Michele Leggott's new book of poetry follows on from her 2009 collection, Mirabile Dictu, in its exploration of light and of gathering dark. Leggott is a poet of the lilting, shining moment, and five of the sections in this collection follow her through her own moments and movements—to Devonport, to Australia, to the North—though these sequences also reverberate with the stories and histories of others. The final two sections take this exploration of character and narrative further as in one we see off a soldier—shadowed by Leggott—to the First World War; and in the other—set in an earlier, unspecified time charted for us by telegraphic weather reports—a family tragedy unfolds, until a body is finally brought home for burial. Previously a poet to whom layout was crucial, the book includes the last poems Michele wrote that she was able to see the shapes of on the page, and thus Heartland gestures back towards previous work while at the same time beginning to chart a new compositional method.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Michele Leggott's new book of poetry follows on from her 2009 collection, Mirabile Dictu, in its exploration of light and of gathering dark. Leggott is a poet of the lilting, shining moment, and five of the sections in this collection follow her through her own moments and movements—to Devonport, to Australia, to the North—though these sequences also reverberate with the stories and histories of others. The final two sections take this exploration of character and narrative further as in one we see off a soldier—shadowed by Leggott—to the First World War; and in the other—set in an earlier, unspecified time charted for us by telegraphic weather reports—a family tragedy unfolds, until a body is finally brought home for burial. Previously a poet to whom layout was crucial, the book includes the last poems Michele wrote that she was able to see the shapes of on the page, and thus Heartland gestures back towards previous work while at the same time beginning to chart a new compositional method.

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