Heinrich Wilhelm Ernst: Virtuoso Violinist

Nonfiction, Entertainment, Music
Cover of the book Heinrich Wilhelm Ernst: Virtuoso Violinist by Mark Rowe, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mark Rowe ISBN: 9781351563918
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: Mark Rowe
ISBN: 9781351563918
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

From 1840-57, Heinrich Ernst was one of the most famous and significant European musicians, and performed on stage, often many times, with Berlioz, Mendelssohn, Chopin, Liszt, Wagner, Alkan, Clara Schumann, and Joachim. It is a sign of his importance that, in 1863, Brahms gave two public performances in Vienna of his own and Ernst's music to raise money for the now mortally ill violinist. Berlioz described Ernst as 'one of the artists whom I love the most, and with whose talent I am most sympathetique', while Joachim was in no doubt that Ernst was 'the greatest violinist I ever heard; he towered above the others'. Many felt that he surpassed the expressive and technical achievements of Paganini, but Ernst, unlike his great predecessor, was also a tireless champion of public chamber music, and did more than any other early nineteenth-century violinist to make Beethoven's late quartets widely known and appreciated. Ernst was not only a great virtuoso but also an accomplished composer. He wrote two of the most popular pieces of the nineteenth century - the Elegy and the Carnival of Venice - and he is best known today for two solo pieces which represent the ne plus ultra of technical difficulty: the transcription of Schubert's Erlking, and the sixth of his Polyphonic Studies, the variations on The Last Rose of Summer. Perhaps he made his greatest contribution to music through his influence on Liszt's outstanding masterpiece, the B minor piano sonata. In 1849, Liszt conducted Ernst playing his own Concerto Path que, a substantial single-movement work, in altered sonata form, using thematic transformation. Soon after this performance, Liszt wrote his Grosses Konzertsolo (1849-50), his first extended single-movement work, using altered sonata form, and thematic transformation. This is now universally acknowledged to be the immediate forerunner of the sonata, which refines and develops all these techniques. Liszt made his debt clear when, three years after completi

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

From 1840-57, Heinrich Ernst was one of the most famous and significant European musicians, and performed on stage, often many times, with Berlioz, Mendelssohn, Chopin, Liszt, Wagner, Alkan, Clara Schumann, and Joachim. It is a sign of his importance that, in 1863, Brahms gave two public performances in Vienna of his own and Ernst's music to raise money for the now mortally ill violinist. Berlioz described Ernst as 'one of the artists whom I love the most, and with whose talent I am most sympathetique', while Joachim was in no doubt that Ernst was 'the greatest violinist I ever heard; he towered above the others'. Many felt that he surpassed the expressive and technical achievements of Paganini, but Ernst, unlike his great predecessor, was also a tireless champion of public chamber music, and did more than any other early nineteenth-century violinist to make Beethoven's late quartets widely known and appreciated. Ernst was not only a great virtuoso but also an accomplished composer. He wrote two of the most popular pieces of the nineteenth century - the Elegy and the Carnival of Venice - and he is best known today for two solo pieces which represent the ne plus ultra of technical difficulty: the transcription of Schubert's Erlking, and the sixth of his Polyphonic Studies, the variations on The Last Rose of Summer. Perhaps he made his greatest contribution to music through his influence on Liszt's outstanding masterpiece, the B minor piano sonata. In 1849, Liszt conducted Ernst playing his own Concerto Path que, a substantial single-movement work, in altered sonata form, using thematic transformation. Soon after this performance, Liszt wrote his Grosses Konzertsolo (1849-50), his first extended single-movement work, using altered sonata form, and thematic transformation. This is now universally acknowledged to be the immediate forerunner of the sonata, which refines and develops all these techniques. Liszt made his debt clear when, three years after completi

More books from Taylor and Francis

Cover of the book Latin Kingdom Of Jerusalem by Mark Rowe
Cover of the book Policy-Making in Britain by Mark Rowe
Cover of the book Henry VI by Mark Rowe
Cover of the book Managing Information: Core Management by Mark Rowe
Cover of the book The Dynamics of States by Mark Rowe
Cover of the book A Case for Teaching Literature in the Secondary School by Mark Rowe
Cover of the book Hanna Fenichel Pitkin by Mark Rowe
Cover of the book Minoans by Mark Rowe
Cover of the book Contemplating Curriculum by Mark Rowe
Cover of the book Overcoming the Stigma of Intimate Partner Abuse by Mark Rowe
Cover of the book The National Mental Health Association by Mark Rowe
Cover of the book Network Access, Regulation and Antitrust by Mark Rowe
Cover of the book Motivation, Emotion, and Goal Direction in Neural Networks by Mark Rowe
Cover of the book Labour Managed Firms and Post-Capitalism by Mark Rowe
Cover of the book Economic Liberalization and Turkey by Mark Rowe
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy