Henry James, Impressionism, and the Public

Fiction & Literature, Literary Theory & Criticism
Cover of the book Henry James, Impressionism, and the Public by Daniel Hannah, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Daniel Hannah ISBN: 9781317122555
Publisher: Taylor and Francis Publication: April 22, 2016
Imprint: Routledge Language: English
Author: Daniel Hannah
ISBN: 9781317122555
Publisher: Taylor and Francis
Publication: April 22, 2016
Imprint: Routledge
Language: English

Proposing a new approach to Jamesian aesthetics, Daniel Hannah examines the complicated relationship between Henry James's impressionism and his handling of 'the public.' Hannah challenges solely phenomenological or pictorial accounts of literary impressionism, instead foregrounding James's treatment of the word 'impression' as a mediatory unit that both resists and accommodates invasive publicity. Thus even as he envisages a breakdown between public and private at the end of the nineteenth century, James registers that breakdown not only as a threat but also as an opportunity for aesthetic gain. Beginning with a reading of 'The Art of Fiction' as both a public-forming essay and an aesthetic manifesto, Hannah's study examines James's responses to painterly impressionism and to aestheticism, and offers original readings of What Maisie Knew, The Wings of the Dove, and The American Scene that treat James's articulation of impressionism in relation to the child, the future of the novel, and shifts in the American national imaginary. Hannah's study persuasively argues that throughout his career James returns to impressionability not only as a site of immense vulnerability in an age of rapid change but also as a crucible for reshaping, challenging, and adapting to the public sphere’s shifting forms.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Proposing a new approach to Jamesian aesthetics, Daniel Hannah examines the complicated relationship between Henry James's impressionism and his handling of 'the public.' Hannah challenges solely phenomenological or pictorial accounts of literary impressionism, instead foregrounding James's treatment of the word 'impression' as a mediatory unit that both resists and accommodates invasive publicity. Thus even as he envisages a breakdown between public and private at the end of the nineteenth century, James registers that breakdown not only as a threat but also as an opportunity for aesthetic gain. Beginning with a reading of 'The Art of Fiction' as both a public-forming essay and an aesthetic manifesto, Hannah's study examines James's responses to painterly impressionism and to aestheticism, and offers original readings of What Maisie Knew, The Wings of the Dove, and The American Scene that treat James's articulation of impressionism in relation to the child, the future of the novel, and shifts in the American national imaginary. Hannah's study persuasively argues that throughout his career James returns to impressionability not only as a site of immense vulnerability in an age of rapid change but also as a crucible for reshaping, challenging, and adapting to the public sphere’s shifting forms.

More books from Taylor and Francis

Cover of the book Teaching Reading in the Secondary Schools by Daniel Hannah
Cover of the book Planning for Ethnic Tourism by Daniel Hannah
Cover of the book Style Bible by Daniel Hannah
Cover of the book Imagining Sustainability by Daniel Hannah
Cover of the book The Third City (Routledge Revivals) by Daniel Hannah
Cover of the book Commemorating War by Daniel Hannah
Cover of the book Peak Oil, Climate Change, and the Limits to China's Economic Growth by Daniel Hannah
Cover of the book Write for Children by Daniel Hannah
Cover of the book Vietnam by Daniel Hannah
Cover of the book Experiencing Poverty by Daniel Hannah
Cover of the book Lexical Representations and the Semantics of Complementation by Daniel Hannah
Cover of the book Handbook of Soccer Match Analysis by Daniel Hannah
Cover of the book Animals, Ethics and Trade by Daniel Hannah
Cover of the book The Political Economy of Privatization by Daniel Hannah
Cover of the book Public and Private by Daniel Hannah
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy