Holidays in the Danger Zone

Entanglements of War and Tourism

Nonfiction, Social & Cultural Studies, Political Science, International, International Relations, Social Science, Anthropology
Cover of the book Holidays in the Danger Zone by Debbie Lisle, University of Minnesota Press
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Author: Debbie Lisle ISBN: 9781452953335
Publisher: University of Minnesota Press Publication: July 15, 2016
Imprint: Univ Of Minnesota Press Language: English
Author: Debbie Lisle
ISBN: 9781452953335
Publisher: University of Minnesota Press
Publication: July 15, 2016
Imprint: Univ Of Minnesota Press
Language: English

Holidays in the Danger Zone exposes the mundane and everyday interactions between two seemingly opposed worlds: warfare and tourism. Debbie Lisle shows how a tourist sensibility shapes the behavior of soldiers in war—especially the experiences of Western military forces in “exotic” settings. This includes not only R&R but also how battlefields become landscapes of leisure and tourism. She further explores how a military sensibility shapes the development of tourism in the postwar context, from “Dark Tourism” (engaging with displays of conflict and atrocity) to exhibitions of conflict in museums and at memorial sites, as well as advertising, film, journals, guidebooks, blogs, and photography. 

Focused on how war and tourism reinforce prevailing modes of domination, Holidays in the Danger Zone critically examines the long historical arc of the war–tourism nexus—from nineteenth-century imperialism to World War I and World War II, from the Cold War to globalization and the War on Terror.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Holidays in the Danger Zone exposes the mundane and everyday interactions between two seemingly opposed worlds: warfare and tourism. Debbie Lisle shows how a tourist sensibility shapes the behavior of soldiers in war—especially the experiences of Western military forces in “exotic” settings. This includes not only R&R but also how battlefields become landscapes of leisure and tourism. She further explores how a military sensibility shapes the development of tourism in the postwar context, from “Dark Tourism” (engaging with displays of conflict and atrocity) to exhibitions of conflict in museums and at memorial sites, as well as advertising, film, journals, guidebooks, blogs, and photography. 

Focused on how war and tourism reinforce prevailing modes of domination, Holidays in the Danger Zone critically examines the long historical arc of the war–tourism nexus—from nineteenth-century imperialism to World War I and World War II, from the Cold War to globalization and the War on Terror.

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