Horror in Space

Critical Essays on a Film Subgenre

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Horror in Space by , McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781476630625
Publisher: McFarland & Company, Inc., Publishers Publication: October 27, 2017
Imprint: Language: English
Author:
ISBN: 9781476630625
Publisher: McFarland & Company, Inc., Publishers
Publication: October 27, 2017
Imprint:
Language: English

In sharp contrast to many 1960s science fiction films, with idealized views of space exploration, Ridley Scott’s Alien (1979) terrified audiences, depicting a harrowing and doomed deep-space mission. The Alien films launched a new generation of horror set in the great unknown, inspiring filmmakers to take Earth-bound franchises like Leprechaun and Friday the 13th into space. This collection of new essays examines the space horror subgenre, with a focus on such films as Paul W.S. Anderson’s Event Horizon, Duncan Jones’ Moon, Mario Bava’s Planet of the Vampires and John Carpenter’s Ghosts of Mars. Contributors discuss how filmmakers explored the concepts of the final girl/survivor, the uncanny valley, the isolationism of space travel, religion and supernatural phenomena.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In sharp contrast to many 1960s science fiction films, with idealized views of space exploration, Ridley Scott’s Alien (1979) terrified audiences, depicting a harrowing and doomed deep-space mission. The Alien films launched a new generation of horror set in the great unknown, inspiring filmmakers to take Earth-bound franchises like Leprechaun and Friday the 13th into space. This collection of new essays examines the space horror subgenre, with a focus on such films as Paul W.S. Anderson’s Event Horizon, Duncan Jones’ Moon, Mario Bava’s Planet of the Vampires and John Carpenter’s Ghosts of Mars. Contributors discuss how filmmakers explored the concepts of the final girl/survivor, the uncanny valley, the isolationism of space travel, religion and supernatural phenomena.

More books from McFarland & Company, Inc., Publishers

Cover of the book The Warsaw Underground by
Cover of the book The Wreck of the San Francisco by
Cover of the book The Andy Clyde Columbia Comedies by
Cover of the book The 1990s Teen Horror Cycle by
Cover of the book Isaac Newton and the Temple of Solomon by
Cover of the book The Failure of Evangelical Mental Health Care by
Cover of the book The German Cabaret Legacy in American Popular Music by
Cover of the book The Consequences of Cotton in Antebellum America by
Cover of the book The Boyer Brothers of Baseball by
Cover of the book Will the Real Pakistani Woman Please Stand Up? by
Cover of the book Another Me by
Cover of the book Scrappy by
Cover of the book The Aesthetics of Culture in Buffy the Vampire Slayer by
Cover of the book "I Used to Be a Highbrow but Look at Me Now" by
Cover of the book Frank Robinson by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy