How Do We Look: The Body, the Divine, and the Question of Civilization

Nonfiction, Religion & Spirituality, Reference, Antiquities & Archaeology, Art & Architecture, Art History, History, Civilization
Cover of the book How Do We Look: The Body, the Divine, and the Question of Civilization by Mary Beard, Liveright
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mary Beard ISBN: 9781631494413
Publisher: Liveright Publication: September 4, 2018
Imprint: Liveright Language: English
Author: Mary Beard
ISBN: 9781631494413
Publisher: Liveright
Publication: September 4, 2018
Imprint: Liveright
Language: English

From prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity.

Conceived as a gorgeously illustrated accompaniment to “How Do We Look” and “The Eye of Faith,” the famed Civilisations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art. Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made—whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers— to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

From prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity.

Conceived as a gorgeously illustrated accompaniment to “How Do We Look” and “The Eye of Faith,” the famed Civilisations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art. Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made—whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers— to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark.

More books from Liveright

Cover of the book Yankee Miracles: Life with the Boss and the Bronx Bombers by Mary Beard
Cover of the book Leaving Cheyenne by Mary Beard
Cover of the book The Kindness of Women: A Novel by Mary Beard
Cover of the book Mosquitoes by Mary Beard
Cover of the book Decoy: A Novella by Mary Beard
Cover of the book Tinderbox: The Untold Story of the Up Stairs Lounge Fire and the Rise of Gay Liberation by Mary Beard
Cover of the book Etcetera: The Unpublished Poems of E. E. Cummings by Mary Beard
Cover of the book The Theatre of E. E. Cummings by Mary Beard
Cover of the book The Drowned World: A Novel (50th Anniversary Edition) by Mary Beard
Cover of the book For Adam's Sake: A Family Saga in Colonial New England by Mary Beard
Cover of the book On Hobbes: Escaping the War of All Against All (Liveright Classics) by Mary Beard
Cover of the book How To Be a Tudor: A Dawn-to-Dusk Guide to Tudor Life by Mary Beard
Cover of the book No Thanks by Mary Beard
Cover of the book Machine Made: Tammany Hall and the Creation of Modern American Politics by Mary Beard
Cover of the book The Annotated Memoirs of Ulysses S. Grant by Mary Beard
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy