Iambic Poetics in the Roman Empire

Nonfiction, History, Ancient History, Fiction & Literature, Literary Theory & Criticism
Cover of the book Iambic Poetics in the Roman Empire by Tom Hawkins, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Tom Hawkins ISBN: 9781139904285
Publisher: Cambridge University Press Publication: April 17, 2014
Imprint: Cambridge University Press Language: English
Author: Tom Hawkins
ISBN: 9781139904285
Publisher: Cambridge University Press
Publication: April 17, 2014
Imprint: Cambridge University Press
Language: English

This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the iambic tradition (e.g. meter, motifs, or poetic biographies) into other literary forms (e.g. elegy, oratorical prose, anthologies of fables), and it shows that the humorous, scurrilous, efficacious aggression of Archilochus continued to facilitate negotiations of power and social relations long after Horace's Epodes. The eclectic approach encompasses Greek and Latin, prose and poetry, and exploratory interludes appended to each chapter help to open four centuries of later classical literature to wider debates about the function, propriety and value of the lowest and most debated poetic form from archaic Greece. Each chapter presents a unique variation on how these imperial authors became Archilochus – however briefly and to whatever end.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This is the first book to study the impact of invective poetics associated with early Greek iambic poetry on Roman imperial authors and audiences. It demonstrates how authors as varied as Ovid and Gregory Nazianzen wove recognizable elements of the iambic tradition (e.g. meter, motifs, or poetic biographies) into other literary forms (e.g. elegy, oratorical prose, anthologies of fables), and it shows that the humorous, scurrilous, efficacious aggression of Archilochus continued to facilitate negotiations of power and social relations long after Horace's Epodes. The eclectic approach encompasses Greek and Latin, prose and poetry, and exploratory interludes appended to each chapter help to open four centuries of later classical literature to wider debates about the function, propriety and value of the lowest and most debated poetic form from archaic Greece. Each chapter presents a unique variation on how these imperial authors became Archilochus – however briefly and to whatever end.

More books from Cambridge University Press

Cover of the book Connections in Discrete Mathematics by Tom Hawkins
Cover of the book Managing Employee Performance and Reward by Tom Hawkins
Cover of the book Civil Liability in Europe for Terrorism-Related Risk by Tom Hawkins
Cover of the book Law of Evidence by Tom Hawkins
Cover of the book The Cambridge Companion to Simone de Beauvoir by Tom Hawkins
Cover of the book Youth in the Roman Empire by Tom Hawkins
Cover of the book The King James Bible after Four Hundred Years by Tom Hawkins
Cover of the book Fates of Political Liberalism in the British Post-Colony by Tom Hawkins
Cover of the book Network Morphology by Tom Hawkins
Cover of the book Imperial Russia's Muslims by Tom Hawkins
Cover of the book The Price of a Vote in the Middle East by Tom Hawkins
Cover of the book Using Korean by Tom Hawkins
Cover of the book Plato's 'Republic' by Tom Hawkins
Cover of the book Atmospheric Dynamics by Tom Hawkins
Cover of the book Gravitation by Tom Hawkins
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy